The Celestial Omnibus, and Other Stories — John Shaqi
The Celestial Omnibus, and Other StoriesForster, E. M. (Edward Morgan)
General
The Celestial Omnibus, and Other Stories
Forster, E. M. (Edward Morgan)
English fiction -- 20th century; Short stories, English
I would not have minded so much if he had been a really studious boy,
but he neither played hard nor worked hard. His favourite occupations
were lounging on the terrace in an easy chair and loafing along the high
road, with his feet shuffling up the dust and his shoulders stooping
forward. Naturally enough, his features were pale, his chest contracted,
and his muscles undeveloped. His aunts thought him delicate; what he
really needed was discipline.
That memorable day we all arranged to go for a picnic up in the chestnut
woods--all, that is, except Janet, who stopped behind to finish her
water-colour of the Cathedral--not a very successful attempt, I am
afraid.
I wander off into these irrelevant details, because in my mind I cannot
separate them from an account of the day; and it is the same with the
conversation during the picnic: all is imprinted on my brain together.
After a couple of hours' ascent, we left the donkeys that had carried
the Miss Robinsons and my wife, and all proceeded on foot to the head of
the valley--Vallone Fontana Caroso is its proper name, I find.
I have visited a good deal of fine scenery before and since, but have
found little that has pleased me more. The valley ended in a vast
hollow, shaped like a cup, into which radiated ravines from the
precipitous hills around. Both the valley and the ravines and the ribs
of hill that divided the ravines were covered with leafy chestnut, so
that the general appearance was that of a many fingered green hand, palm
upwards, which was clutching convulsively to keep us in its grasp. Far
down the valley we could see Ravello and the sea, but that was the only
sign of another world.
"Oh, what a perfectly lovely place," said my daughter Rose. "What a
picture it would make!"
"Yes," said Mr. Sandbach. "Many a famous European gallery would be proud
to have a landscape a tithe as beautiful as this upon its walls."
"On the contrary," said Leyland, "it would make a very poor picture.
Indeed, it is not paintable at all."
"And why is that?" said Rose, with far more deference than he deserved.
"Look, in the first place," he replied, "how intolerably straight
against the sky is the line of the hill. It would need breaking up and
diversifying. And where we are standing the whole thing is out of
perspective. Besides, all the colouring is monotonous and crude."
"I do not know anything about pictures," I put in, "and I do not pretend
to know: but I know what is beautiful when I see it, and I am thoroughly
content with this."
"Indeed, who could help being contented!" said the elder Miss Robinson
and Mr. Sandbach said the same.
"Ah!" said Leyland, "you all confuse the artistic view of nature with
the photographic."
Poor Rose had brought her camera with her, so I thought this positively
rude. I did not wish any unpleasantness; so I merely turned away and
assisted my wife and Miss Mary Robinson to put out the lunch--not a very
nice lunch.
Public-domain text, read in full here on John Shaqi.
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