The Celestial Omnibus, and Other StoriesForster, E. M. (Edward Morgan)
General
The Celestial Omnibus, and Other Stories
Forster, E. M. (Edward Morgan)
English fiction -- 20th century; Short stories, English
She walked confidently across the meadow, bowing to the workmen as they
raised their hats. Her languor had passed, and with it her suggestion of
"tone." She was the same crude, unsophisticated person that Harcourt had
picked out of Ireland--beautiful and ludicrous in the extreme, and--if
you go in for pathos--extremely pathetic.
I saw them meet, and soon she was hanging on his arm. The motion of his
hand explained to her the construction of bridges. Twice she interrupted
him: he had to explain everything again. Then she got in her word, and
what followed was a good deal better than a play. Their two little
figures parted and met and parted again, she gesticulating, he most
pompous and calm. She pleaded, she argued and--if satire can carry half
a mile--she tried to be satirical. To enforce one of her childish points
she made two steps back. Splash! She was floundering in the little
stream.
That was the _dénouement_ of the comedy. Harcourt rescued her, while the
workmen crowded round in an agitated chorus. She was wet quite as far as
her knees, and muddy over her ankles. In this state she was conduced
towards me, and in time I began to hear words; "Influenza--a slight
immersion--clothes are of no consequence beside health--pray, dearest,
don't worry--yes, it must have been a shock--bed! bed! I insist on bed!
Promise? Good girl. Up the steps to bed then."
They parted on the lawn, and she came obediently up the steps. Her face
was full of terror and bewilderment.
"So you've had a wetting, Miss Beaumont!"
"Wetting? Oh, yes. But, Mr. Inskip--I don't understand: I've failed."
I expressed surprise.
"Mr. Ford is to go--at once. I've failed."
"I'm sorry."
"I've failed with Harcourt. He's offended. He won't laugh. He won't let
me do what I want. Latin and Greek began it: I wanted to know about gods
and heroes and he wouldn't let me: then I wanted no fence round Other
Kingdom and no bridge and no path--and look! Now I ask that Mr. Ford,
who has done nothing, sha'n't be punished for it--and he is to go away
for ever."
"Impertinence is not 'nothing,' Miss Beaumont." For I must keep in with
Harcourt.
"Impertinence is nothing!" she cried. "It doesn't exist. It's a sham,
like 'claims' and 'position' and 'rights.' It's part of the great
dream."
"What 'great dream'?" I asked, trying not to smile.
"Tell Mr. Ford--here comes Harcourt; I must go to bed. Give my love to
Mr. Ford, and tell him 'to guess.' I shall never see him again, and I
won't stand it. Tell him to guess. I am sorry I called him a cry-baby.
He was not crying like a baby. He was crying like a grown-up person, and
now I have grown up too."
I judged it right to repeat this conversation to my employer.
IV
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account