Doctor Martener struggled bravely with death, which already grasped
its prey. From the first, Bianchon and the hospital surgeon had
considered Pierrette doomed; and there now took place between the
doctor and the disease, the former relying on Pierrette's youth, one
of those struggles which physicians alone comprehend,--the reward of
which, in case of success, is never found in the venal pay nor in the
patients themselves, but in the gentle satisfaction of conscience, in
the invisible ideal palm gathered by true artists from the contentment
which fills their soul after accomplishing a noble work. The physician
strains towards good as an artist towards beauty, each impelled by
that grand sentiment which we call virtue. This daily contest wiped
out of Doctor Martener's mind the petty irritations of that other
contest of the Tiphaines and the Vinets,--as always happens to men
when they find themselves face to face with a great and real misery to
conquer.
Monsieur Martener had begun his career in Paris; but the cruel
activity of the city and its insensibility to its masses of suffering
had shocked his gentle soul, fitted only for the quiet life of the
provinces. Moreover, he was under the yoke of his beautiful native
land. He returned to Provins, where he married and settled, and cared
almost lovingly for the people, who were to him like a large family.
During the whole of Pierrette's illness he was careful not to speak of
her. His reluctance to answer the questions of those who asked about
her was so evident that persons soon ceased to put them. Pierrette was
to him, what indeed she truly was, a poem, mysterious, profound, vast
in suffering, such as doctors find at times in their terrible
experience. He felt an admiration for this delicate young creature
which he would not share with any one.
Public-domain text, read in full here on John Shaqi.
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