This feeling of the physician for his patient was, however, unconsciously communicated (like all true feelings) to Monsieur and Madame Auffray, whose house became, so long as Pierrette was in it, quiet and silent. The children, who had formerly played so joyously with her, agreed among themselves with the loving grace of childhood to be neither noisy nor troublesome. They made it a point of honor to be good because Pierrette was ill. Monsieur Auffray's house was in the Upper town, beneath the ruins of the Chateau, and it was built upon a sort of terrace formed by the overthrow of the old ramparts. The occupants could have a view of the valley from the little fruit-garden enclosed by walls which overlooked the town. The roofs of the other houses came to about the level of the lower wall of this garden. Along the terrace ran a path, by which Monsieur Auffray's study could be entered through a glass door; at the other end of the path was an arbor of grape vines and a fig-tree, beneath which stood a round table, a bench and some chairs, painted green. Pierrette's bedroom was above the study of her new guardian. Madame Lorrain slept in a cot beside her grandchild. From her window Pierrette could see the whole of the glorious valley of Provins, which she hardly knew, so seldom had she left that dreadful house of the Rogrons. When the weather was fine she loved to drag herself, resting on her grandmother's arm, to the vine-clad arbor. Brigaut, unable to work, came three times a day to see his little friend; he was gnawed by a grief which made him indifferent to life. He lay in wait like a dog for Monsieur Martener, and followed him when he left the house. The old grandmother, drunk with grief, had the courage to conceal her despair; she showed her darling the smiling face she formerly wore at Pen-Hoel. In her desire to produce that illusion in the girl's mind, she made her a little Breton cap like the one Pierrette had worn on her first arrival in Provins; it made the darling seem more like her childlike self; in it she was delightful to look upon, her sweet face circled with a halo of cambric and fluted lace. Her skin, white with the whiteness of unglazed porcelain, her forehead, where suffering had printed the semblance of deep thought, the purity of the lines refined by illness, the slowness of the glances, and the occasional fixity of the eyes, made Pierrette an almost perfect embodiment of melancholy. She was served by all with a sort of fanaticism; she was felt to be so gentle, so tender, so loving. Madame Martener sent her piano to her sister Madame Auffray, thinking to amuse Pierrette who was passionately fond of music. It was a poem to watch her listening to a theme of Weber, or Beethoven, or Herold,--her eyes raised, her lips silent, regretting no doubt the life escaping her. The cure Peroux and Monsieur Habert, her two religious comforters, admired her saintly resignation. Surely the