The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 1 (of 2)Putnam, George Haven
History
The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 1 (of 2)
Putnam, George Haven
Freedom of the press; Liberty of conscience; Prohibited books
Christopher of Padua, General of the Augustinians, who had had to do
with this Index, stated at Trent that in the work of its preparation,
careful examination had been made of all the heretical books in the
library of the Vatican. The compilers had utilised, in addition to the
lists of Louvain, of Venice, and of Casa, certain lists which Reusch
traces to the “Library” (Bibliothek) of Gesner, and to Cochlaeus’s
_Historia de Actis et Scriptis M. Lutheri_. Further titles are taken
from the “Letters” of Oecolampadius and of Zwingli. Certain omissions
of noteworthy and “deserving” names or titles, which were available in
previous lists, such as Beza, recorded in the Venice Index, and the
_Epistolae Obscurorum Virorum_, which appears in Louvain, were due
doubtless simply to oversights in transcribing. A curious entry in
Class II is _Arturus Britannus_, which stands for the _Legend of King
Arthur_ and which is responsible for the appearance in later Indexes
of the heretical author “Thomas Arturus.” The entry in Class I of the
name of an author was not permitted to stand in the way of a separate
condemnation in Class II or in Class III (under individual titles) of
his more pernicious productions.
This Index of Paul IV seemed to call for some special measure of
attention in this schedule, because it is the first prepared in
Rome under the direct instructions of the pope, and because in its
general purpose and policy, in the method of its compilation, in its
characteristic features, and its bibliographical errors, it was
typical of the whole series of Indexes, and was in fact quite closely
followed not only by that of Trent, but by not a few of those that
came later. The policy of the Church in its contest with the perils of
an uncontrolled printing-press may be said to have been marked out in
1559 by Paul IV and his associates. The fact that the lists included,
in addition to works by admitted heretics and to those concerned with
matters of theology, faith, and dogma, a number of books by Catholic
writers in good standing, others whose subjects were entirely outside
of theology and religion, and a further number whose only fault was
that of being printed by heretical printers, is an indication of the
wide view taken by the framers of the Index, and doubtless by Paul
himself, as to the responsibilities of the Church in the supervision of
literature. The Index of Paul may also be considered as a declaration
that the responsibility for the supervision and characterisation of
literary productions belonged properly to the head of the Church and
could not safely be left to be cared for by princes, universities, or
local inquisitors. It seems very probable that Paul and his advisers
of the Roman Inquisition had such a contention in mind, but as the
record of the production of later Indexes makes clear, the authorities
in Rome proved unequal to the task of controlling the prohibition
of books, and were obliged to accept, with more or less protest, a
Public-domain text, read in full here on John Shaqi.
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