The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 1 (of 2)Putnam, George Haven
History
The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 1 (of 2)
Putnam, George Haven
Freedom of the press; Liberty of conscience; Prohibited books
The series of Indexes is understood, therefore, to begin with the
middle of the 16th century (that is, a century after the invention
of printing), but from the earliest years of the organised Church,
attempts had been made from time to time to protect the faithful
against the pernicious influence of heretical writings, by the
destruction of the copies and by the punishment of the writers when
these were within reach of the strong arm of the Church and when they
refused to be convinced of their errors.
A number of the editions of the Roman Indexes, as for instance that of
1819, bear as their motto: “Many of them also which used curious arts
brought their books together, and burned them before all men” (Acts
xix, 19); while on others was printed a head-piece engraved on copper,
representing the believers burning their books of magic. The example,
however, of these early converts, under the influence of the eloquence
of Paul, bringing of their own free will, to be destroyed, books the
teachings of which were believed to be incompatible with the doctrines
of Christianity, does not constitute a fairly logical precedent for the
later practice of the Church in punishing by excommunication and in
other ways those who continued to read books condemned as heretical.
Throughout the Middle Ages, there are a number of examples of
prohibitions, emanating from various authorities, and applying
sometimes to single books or individual authors, and sometimes to
groups. It is not likely that during the manuscript period, the
duplication or reading of the books denounced was seriously affected,
except in the immediate locality in which the prohibition was issued.
These earlier attempts at censorship possess interest chiefly as
indications of the ecclesiastical policy and of the varying standards
of different periods and of different places, and also because the
titles of the works selected for condemnation were in part utilised by
the compilers of the Indexes.
A “Directory” of heresy was prepared early in the 16th century
by Nicholas Eymeric of Cologne, under the title of _Directorium
Inquisitorium_. This was reprinted in Venice in 1607, _cum commentariis
Francisci Pegnae_. This Directory was, says Reusch, utilised by Bernard
Lutzenburg as the basis for his _Catalogus Haereticorum_,--Catalogue
of Heretics,--first issued in 1522. In these two lists have been
preserved the names of a number of persons classed as heretics, of
whose books there is no record, and who may possibly even never have
written anything, or at least never have brought anything into print.
The Lutzenburg Catalogue was utilised in the compilation of the Index
of Paul IV.
After the middle of the 13th century, the papal condemnations of
specific books frequently included the specification of names of the
examiner or examiners, usually one or more of the cardinals. We have
here the beginnings of the body that became later the Congregation of
the Index.
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