A decree was at once issued by the papal court prohibiting the sale or circulation of all books licensed by the newly appointed Venetian officers and the nuncio demanded the withdrawal of the Venetian decree. The issue between the republic and the Papacy turned simply upon the selection of the authority that should decide what was heretical or dangerous. The republic was prepared to make use of ecclesiastical censors but insisted that these must be appointed by the civil government. The Papacy, on the other hand, maintained that the entire responsibility of keeping the faithful from poisonous food had been entrusted to the Church. The Venetian decree of 1765 was never withdrawn and the place of inquisitor as censor of books upon matters of faith was thereafter held by persons appointed by the _Rifformatori_ of the university. As late as 1794, the commissioners of heresy secured an opinion from these university censors upon the _Institutiones Theologicae_ of De Montazet, Archbishop of Lyons, which had been condemned at Rome in 1792. As a result of their report, the Government refused to sanction the decree of the Congregation of the Index. Such an instance can be accepted as an evidence that the press of Venice had at last secured freedom from the censorship of Rome. The revolutionary spirit which was agitating all Europe, and which in France had for the time completely overthrown both Church and monarchy, must have seriously weakened the control of the Papacy over the Italian States, and doubtless exercised no little influence in this final contest between the ecclesiastical censorship and the printing-press. The Venetian press possessed a greater measure of freedom than had been secured by the printer-publishers of any other Italian State and this was an important factor in its long-continued pre-eminence. The general course, however, of the legislation for the supervision of the press was similar in character to that of the other Italian cities in which attention was given to printing. [Sidenote: Rome] The city which undertook the task of at once purifying and revitalising the literature of the Christian world, has itself been curiously barren of literary producers. In examining the lists of the writers of Italy whose names and whose works have survived through the centuries, one is surprised to note how few are to be credited to Rome. It is Florence, Venice, Bologna, Ferrara, Milan, and Naples that are recorded as the birthplaces of the most illustrious of the writers of Italy, and it was also largely in these smaller cities rather than in the capital that their important work was carried on. In artistic productions, the record of Rome is more important. There was, during the 16th and 17th centuries, a Roman school of art that had influence, while in Rome were produced many of the famous works by artists who were natives of Tuscany, of Venice, or of other regions outside of the States of the Church.