The first printing-office in France was established in 1469 by Gering, Krantz, and Friburger from Constance. At the request of two of the divines of the Sorbonne, space was given for the printing-office in one of the halls of the college. An edict of Louis XII, issued April 9, 1513, confirms and extends the privileges previously acquired by booksellers as officials of the university. In this edict, Louis speaks with appreciation and admiration of the printing art, “the discovery of which appears to be rather divine than human.” He congratulates his kingdom that in the development of this art “France takes precedence of all other realms.”[125] A year later, the King places on record his opinion that dramatic productions and representations should be left free from any restrictions. In 1512, the King writes to the university requesting the theological faculty to examine a book that had been condemned as heretical by the Council of Pisa. In place, however, of demanding that measures of severity should be taken against the writer, the King proposed that the professors should go over the book chapter by chapter and should present a refutation of any of its conclusions that seemed to them to be contrary to the truth. It was hardly possible that so fair a spirit of toleration should long continue. The spirit of the time was stronger than the power of any one king and it was impossible in the 16th century that the Church and the State could permit the free development and the unrestricted expression of thought.