The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)Putnam, George Haven
History
The censorship of the Church of Rome and its influence upon the production and distribution of literature, volume 2 (of 2)
Putnam, George Haven
Freedom of the press; Liberty of conscience; Prohibited books
In 1685, a royal edict was issued by Louis XIV, ordering the
destruction of all heretical books and the punishment of those who
should retain copies of the same. As a result of the edict, the
Parliament of Paris issued a decree appointing the Archbishop of
Paris to prepare an _Index prohibitorius_ of books which in his
judgment ought to be suppressed, an instruction which was carried out
with all promptness. The list of the archbishop comprised the names
of about five hundred authors. The books condemned were those of the
Lutherans, Socinians, Arminians, and Greeks. Included with these
were all versions of the Scriptures. The Parliament published at once
a decree enforcing the prohibition and commanding a strict search to
be made for such books in the bookshops and printeries and also in
private houses. Many books were burned, including a large number of
copies of the Scriptures. The protection, or toleration, heretofore, in
form at least, extended to Protestants was during the same year, 1685,
withdrawn by the Edict of Fontainebleau, repealing the Edict of Nantes.
[Sidenote: Lyons]
The printers of Lyons succeeded in building up, within a very few
years after the introduction of printing into France, a profitable
business. They had the advantage of being well out of the way of both
ecclesiastical and political censorship. They were quite prepared to
take up promptly editions of books which had been prohibited in Paris
and in Rome, or later in Geneva. They were also among the earliest to
develop the art of what may be called piratical printing. The great
expense of the production of earlier editions, more particularly of
the classics, was the outlay for scholarly editing. The printers of
Lyons promptly discovered that they could make money by utilising the
expenditures of Aldus in Venice, or of the scholarly printers in Paris,
through the appropriation of editorial material. They brought out
editions printed with the text that had been shaped in Venice and in
some cases in direct imitation of the typography of these first and so
to speak authorised editions. By the year 1495, there were no less than
forty printers doing active work in Lyons, a number considerably in
excess of those who were then carrying on business in Paris.
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