With astonishing eloquence I described that portion of the globe from whence I hailed, which, divided into numerous nations, cordially hated each other with a hatred bred in the blood and concealed in the blatant roar of deadly patriotism—the terrible, unspeakable carnage of warfare. I dwelled long upon the beautiful, and Art, and the great strides made in mechanism. I talked for hours, it seemed. I told her of my life, my great wealth and many, many disappointments, and had reached that point in my career when the vision of herself had appeared. She was intensely interested, leaning dangerously near, while the expression of her deep eyes made me reckless. Passion mastered. I caught her hand and pressed my lips upon palm and wrist, while in broken tones I told of my love. “I worship you!” I murmured huskily. “I love, adore you!” She gazed perplexed, yet a reflection of my passion shone in her glance; a reflection only, then she smiled, faintly amused. “Love,” she murmured. “What is love? A woman, a child, or a fancy? Once, centuries ago,” she continued, “love ruled Centauri; now knowledge reigns supreme; the master of the universe.” “Without love life is imperfect,” I hastened to assure her. She looked puzzled, curious. “I do not understand,” she muttered. “All know of Love, but no one ever experienced it. Centuries ago this dead science had many students. You must visit the museum, Virgillius; it contains many rare works of art. There are three gigantic sculptured forms that absorb the attention. Two are particularly noticeable for crudeness, representing Art in the primitive beautiful. They were discovered in the caves of the Ocstas, and have been traced back 5,000 years. Each represents Love, one a woman of immense, but perfect proportions; the other a winged child. The third is an enormous statue revealing the touch of genius, stationed near the others, possibly for contrast to prove the progress of Art. Exquisite in perfection, every line and curve wrought by a master’s hand, a man and woman smile upon each other out of shapeless stone, her lovely head rests upon his massive shoulders, his arms clasp her perfect form closely. Art has progressed little since then and now is rapidly approaching the abnormal. From these three monstrous carvings we judge, hence: Love is a primitive desire; Fancy, a cultivation of early civilization, and Knowledge crowns all. I would know more of this powerful, forceful science that once controlled the world.”