She rose and moved slowly toward the dim interior of this leafy retreat
and sank upon a mossy bank near the refreshing coolness of perfumed
waters. I flung myself at her feet. A huge instrument resembling a harp
was wheeled towards her. It had two sets of golden wires in a casement
of crystal. Her white hands strayed idly over the wires—the vision in
the burning globe was before me—then under her powerful touch a volume
of music rang—sweet, wild melody, and she who declared Love a dead
science portrayed upon her instrument all the emotions of the human
heart. Deep tones of passion thrilled and trembled, the strident howl of
rage, hatred; the laugh of envy, the wail of anguish, all rang out
clearly beneath her inspired touch. I gazed at her in doubt and
amusement. Perceiving my glance she murmured: “Knowledge’s tuition is:
All emotions have their note of melody, rhythm.”
“You worship Knowledge,” I told her; “you can adore man.”
“I know nothing of your country,” she replied: “yet in your far zone,
centuries ago, there were customs that never could be re-established—you
have progressed above them. This strange sentiment you uphold is not of
the intellect, the children of Centauri are followers of the divine
light blessed with calmness, peace.”
“Love still rules Centauri; your own words prove it!” I exclaimed
stubbornly. “Knowledge is bait. You people are greatly advanced, but in
love the whole world is equal. Pride, ambition, seeks Wisdom. We upon
our side also bend the knee to Elevation. The passion for Fame, Glory is
supreme. Love is the title for a thousand emotions—Greed, Wealth,
Position—and sacrificial crimes are committed hourly to obtain them.
Then there is the much-vaunted maternal love, the most unreliable of all
instincts. I have known the life of a daughter made miserable, the sweet
freshness of youth blighted in cynical thoughts roused by a pretty,
passé, selfish, knife-tongued mother. Maternal affection! bah! it ceases
the moment individuality is attained, thrusting aside yokish, slavish
control. Show me the human being who appreciates the monstrous favor of
birth. Is the Innocent responsible for creative desire? Yet not till
dissolution does Result escape the harpy Reminder. There is the
soul-inspiring passion for the One Woman—a grand affair of a few days,
chiefly experienced in this metallic period by very young girls, very
old men and, occasionally for relaxation, a staid family man
indulges——!!! I could talk for months upon this theme; it could never be
exhausted; but you, Centauri, I worship! love as no man ever loved! I
will be patient, wait years, if in the end I can teach you to truthfully
say: ‘Virgillius, I love you.’” She gazed at me wonderingly.
“To experience this marvelous sensation, to master the art of love I
would study years; for all things I must know. Strange,” she continued,
“this absorbing science should have become obsolete.”
Public-domain text, read in full here on John Shaqi.
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