at the mercy of his antagonist, when up started the sleeping Highlander,
with his naked sword and target in his hand, and threw himself between
the discomfited magistrate and his assailant, exclaiming, 'Her ownsell
has eaten the town bread at the cross o' Glasgow; and by her troth,
she'll fight for Bailie Sharvie at the clachan of Aberfoil.'"
[Illustration: 040]
[Illustration: 041]
OLD MORTALITY.
OLD MORTALITY commenced a series of novels which Scott entitled "Tales
of my Landlord." The title was a _sobriquet_ given to Robert Paterson,
an eccentric native of Dumfriesshire, who, during the latter portion of
the eighteenth century, repaired without recompence the tombstones
of the Covenanters in the southern counties; but the novel treats
of Scottish manners during the period when those commemorated by Old
Mortality were alive. It was published in December 1816, and within six
weeks two editions, each of two thousand, disappeared.
In the sketch of the "Black Linn of Linklater," the artist has caught
the moment when Morton looked round him, and the girl, his companion,
pulled his sleeve, and pointing to the oak and the projecting rock
beyond it, indicated that there lay his farther passage. "He gazed
at her with surprise, for although he well knew that the persecuted
Presbyterians had sought refuge among dells and thickets, caves and
cataracts, in spots the most extraordinary and secluded, yet his
imagination had never exactly figured out the horrors of such a
residence..... He began to consider how he should traverse the doubtful
and terrific bridge, which, skirted by the cascade, and rendered wet and
slippery by its constant drizzling, traversed the chasm above sixty feet
from the bottom of the fall Fixing his eye on a stationary object on
the other side he resolved to attempt the passage...." The inhabitant of
this secluded retreat was Balfour of Burley, with whom he was desirous
of renewing an acquaintance, which had been broken off since the fight
of Bothwell Bridge.
*****
The scene of "Cuddie's leave-taking" has formed an appropriate subject
for the pencil of Mr Cruikshank. "Fare ye weel, Jenny," said Cuddie,
with a loud exertion of his lungs, intended, perhaps, to be a sigh, but
rather resembling a groan. "Ye'll think of puir Cuddie sometimes; an
honest lad that lo'es ye, Jenny! Ye'll think o' him now and then?"
"Whiles-at brose time," answered the malicious damsel, unable either to
suppress the repartee, or the arch smile that attended it. Cuddie took
his revenge, as rustic lovers are wont, and as Jenny probably expected,
caught his mistress round the neck, kissed her cheeks and lips heartily,
and then turned his horse and trotted after his master. "Deil'sin the
fallow," said Jenny, wiping her lips, and adjusting her head-dress, "he
has twice the spunk o' Tam Halliday, after a'!-Coming, my leddy, coming.
Lord have a care o' us! I trust the auld leddy didna see us!"
Public-domain text, read in full here on John Shaqi.
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