Mr Cruikshank represents Captain Dalgetty's landing at Ardenvohr. The
boatman, seizing the Captain with rough civility, horsed him on the back
of a sturdy Highlander, and wading through the surf with him, landed him
on the beach under the Castle Rock. In the face of the rock appeared
the entrance of a low-browed cavern, toward which his attendants were
hurrying him, when Dalgetty, shaking himself from their grasp, insisted
upon seeing Gustavus, his horse, safely landed, before he proceeded a
step further. The Highlander could not comprehend what he meant, until
one who had picked up a little English, exclaimed, "Hout! it's a'
about her horse, ta useless baste." Farther remonstrance on the part
of Dalgetty was interrupted by the appearance of Sir Duncan Campbell
himself, from the mouth of the cavern, for the purpose of inviting
Captain Dalgetty to accept of the hospitality of Ardenvohr, pledging his
honour, at the same time, that Gustavus should be treated as became the
hero from whom he derived his name, not to mention the important
person to whom he now belonged. Notwithstanding this very satisfactory
guarantee, Captain Dalgetty would still have hesitated, had not two
Highlanders seized him by the arms, two more pushed him on behind, while
a fifth exclaimed, "Hout! awa' wi' the daft Sassenach! does she no hear
the Laird bidding her up to her ain castle, wi' her especial voice; and
isna' that very mickle honour for the like o' her?"
THE BLACK DWARF,
THE tale of the "Black Dwarf" appeared in 1819. One of the "Tales of My
Landlord" series, it was founded on the character and peculiarities of
David Ritchie, a misshapen creature, popularly known as _Bow'd Davie_,
who lived on a wild moorland near Peebles, and who, from his deformed
aspects and uncouth manners, was an object of superstitious dread in
the locality. Mr Turner, the celebrated artist, has, in the accompanying
illustration, strikingly delineated a familiar scene in the novel. As
Earnscliff and Hobbie Elliott were crossing the common, the latter was
interrupted in certain protestations of heroism which he was uttering,
by the outline of a form seemingly human, but under the ordinary size,
moving among the grey stones which formed the buttress of the granite
column which they were approaching. The figure was descried by aid of
the moon, which, struggling with the clouds, shed a doubtful light upon
the scene. From time to time came a sort of indistinct muttering sound.
The entire spectacle so much resembled his idea of an apparition, that
Hobbie, making a dead pause, while his hair stood on end, whispered to
his companion, "It's Auld Ailie hersel'! shall I gi'e her a shot?"
"For Heaven's sake, no," said Earnscliff, holding down the weapon, which
he was about to raise to the aim; "for Heaven's sake, no; it's some poor
distracted creature."
Public-domain text, read in full here on John Shaqi.
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