The Century Illustrated Monthly Magazine, October, 1913: Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913Various
General
The Century Illustrated Monthly Magazine, October, 1913: Vol. LXXXVI. New Series: Vol. LXIV. May to October, 1913
Various
Periodicals
To sum up, then, our position is, after all, simple. We believe that
the government should concern itself chiefly with the matters that are
of most importance to the average man and average woman, and that it
should be its special province to aid in making the conditions of life
easier for these ordinary men and ordinary women, who compose the great
bulk of our people. To this end we believe that the people should have
direct control over their own governmental agencies; and that when this
control has been secured, it should be used with resolution, but with
sanity and self-restraint, in the effort to make conditions of life and
labor a little easier, a little fairer and better for the men and women
of the nation.
[1] Copyright, 1913, by The Century Co. All rights reserved. The
republication of this article, either in whole or in part, is
expressly prohibited, except through special arrangement with The
Century Co.
[Illustration: Half-tone plate engraved by C. W. Chadwick
ALPHONSE DAUDET
A PORTRAIT SKETCH, DRAWN FROM THE LIFE, BY JOHN ALEXANDER]
“DEY AIN’T NO GHOSTS”
BY ELLIS PARKER BUTLER
Author of “Pigs is Pigs,” “Long Sam ’Takes Out,’” etc.
WITH PICTURES BY CHARLES SARKA
Once ’pon a time dey was a li’l’ black boy whut he name was Mose.
An’ whin he come erlong to be ’bout knee-high to a mewel, he ’gin to
git powerful ’fraid ob ghosts, ’ca’se dat am sure a mighty ghostly
location whut he lib’ in, ’ca’se dey’s a grabeyard in de hollow, an’ a
buryin’-ground on de hill, an’ a cemuntary in betwixt an’ between, an’
dey ain’t nuffin’ but trees nowhar excipt in de clearin’ by de shanty
an’ down de hollow whar de pumpkin-patch am.
An’ whin de night come’ erlong, dey ain’t no sounds _at_ all whut
kin be heard in dat locality but de rain-doves, whut mourn out,
“Oo-_oo_-o-o-o!” jes dat trembulous _an’_ scary, an’ de owls, whut
mourn out, “Whut-_whoo_-o-o-o!” more trembulous an’ scary dan dat, an’
de wind, whut mourn out, “You-_you_-o-o-o!” mos’ scandalous’ trembulous
an’ scary ob all. Dat a powerful onpleasant locality for a li’l’ black
boy whut he name was Mose.
’Ca’se dat li’l’ black boy he so specially black he can’t be seen in de
dark _at_ all ’cept by de whites ob he eyes. So whin he go’ outen de
house _at_ night, he ain’t dast shut he eyes, ’ca’se den ain’t nobody
can see him in de least. He jes as invidsible as nuffin’. An’ who
know’ but whut a great, big ghost bump right into him ’ca’se it can’t
see him? An’ dat shore w’u’d scare dat li’l’ black boy powerful’ bad,
’ca’se yever’body knows whut a cold, damp pussonality a ghost is.
Public-domain text, read in full here on John Shaqi.
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