The Century Illustrated Monthly Magazine, September, 1913: Vol. LXXXVI, No. 5Various
General
The Century Illustrated Monthly Magazine, September, 1913: Vol. LXXXVI, No. 5
Various
Periodicals
Besides introducing the traveler at once to the scenery, the Murray
River drive has another advantage--it takes him past the principal
sights. The road skirts the golf-links, turns sharp at the Village
Mailloux, and then cuts the links in two just before the path
that leads to the famous sixth tee, the _pons dufforum_. Here the
charretier, if he is a good cicerone, points his whip to a house
that stands in a little garden radiant with bright flowers: “Voilà,
monsieur, la maison de Mademoiselle Anger.” One may draw aside the
veil that has been very transparent ever since the French Academy
crowned “L’Oublié,” and say that Mademoiselle Anger is Laure Conan, the
novelist. A few minutes further, to the left, on the edge of the bay,
stands the manor-house of the seigniory.
[Illustration: Drawn by W. T. Benda. Half-tone plate engraved by G. M.
Lewis
VIEW OF MALBAIE (MURRAY BAY) FROM THE BRIDGE]
From the manor-house the road runs along the edge of the bay, where
picturesque schooners float or lie on their sides, according to the
tide, and then on to the village of Malbaie, or Murray Bay. Americans
call it the Far Village, but the native resident of Pointe-au-Pic, who
wishes Monsieur Anger, _le notaire_, brother to Laure Conan, to draw
up a legal document, or Monsieur Perron to cut him a suit of homespun,
or Monsieur Shea to sell him a clock or a banjo-string, says, “Je vais
au village” (“I am going to the village”), just as a suburban resident
says, “I am going to town.” At the end of the bay stands the Far
Village church in all her kindly, simple seriousness. Her bells ring
out the angelus over the waters of the bay, along the shores, and back
into the uplands, proclaiming that she is ready, like a hen gathering
her chickens under her wings, to receive and comfort all the faithful.
On the façade, if three doorways and a barn-like front can count as a
façade, there is a statue of the Madonna that has drawn to itself some
of the beauty of the place. Hard by is the residence of Monsieur le
Curé and his assistants. The younger priests officiate in the church
and also teach school. It is pleasant, when driving by during recess,
to see these serious-faced young men, dressed in their long black
cassocks, playing with the children, or, when off duty, refreshing
themselves with a pipe and animated conversation.
[Illustration: Drawn by W. T. Benda. Half-tone plate engraved by G. M.
Lewis
THE CHURCH OF ST. ETIENNE AT MURRAY BAY, WITH TEACHING BROTHERS IN THE
FOREGROUND]
Public-domain text, read in full here on John Shaqi.
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