The Century Illustrated Monthly Magazine, September, 1913: Vol. LXXXVI, No. 5Various
General
The Century Illustrated Monthly Magazine, September, 1913: Vol. LXXXVI, No. 5
Various
Periodicals
The Far Village has a little inn of its own, but it is undisturbed by
foreigners; it is sufficient to itself, with its shops, its bank, its
ecclesiastical edifices, its little houses, some of which back on the
river, in fact, lean perilously over the brink, strongly reminding one
of the old Florentine houses along the Arno. The court-house is on the
rive gauche, and somewhat away from the village. To say the truth, its
bald, rather brazen, aspect suggests the less amiable side of the law,
and it seems singularly out of keeping with the general innocence of
Malbaie. There is a story that Sir Charles Fitzpatrick, when at the
bar, long before he became chief-justice of Canada, went there to argue
a case, carrying only one book under his arm. A native remarked this
penury of legal preparation: “C’est fort peu de chose; il ne réussira
pas avec M’sieur le juge” (“That’s too little; he won’t win his
case”). The next time Sir Charles carried several large volumes: “A la
bonne heure; cette fois-ci il est sérieux” (“Good; this time he means
business”).
[Illustration: Drawn by W. T. Benda. Half-tone plate engraved by R. C.
Collins
A ROAD NEAR MURRAY BAY]
Now and then, whether on your first drive up the Murray River, or
on your second up Maltais’s Hill and on the way to St. Agnès to see
mountains rise behind mountains in deepening hues of violet and
blue, you pass a plain, black cross. These crosses stand in little
inclosures, eight feet square, which are filled with monk’s-hood. At
these places the people of the neighborhood gather in the month of May
to say a prayer, and ask _la Sainte Vierge_ to bless the sowing of the
grain. Sometimes you pass one of the old baking-ovens, and, if you are
in luck, a pretty girl examining the condition of the loaves.
The traveler who is used to the more gingerly driven horses of other
places need not fear lest the wiry little horse, which ends his course
downhill at a canter and starts uphill at a gallop, will tire himself
out. The charretier always spares his horse by jumping out himself as
soon as the first uphill gallop is over. This is a comfort to the
tender-hearted traveler, for as soon as he leaves the Far Village he
is, or seems to be, going up or down hill all the time.
[Illustration: Drawn by W. T. Benda. Half-tone plate engraved by C. W.
Chadwick
VIEW ACROSS THE BAY FROM THE HILLSIDE
Chamard’s in the foreground; Cap-à-l’Aigle manor in the middle distance]
Public-domain text, read in full here on John Shaqi.
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