"Considering the difficulties he had to encounter, not the least of them the difficulty of getting compositors who could read Greek MSS. and compose Greek types, it is a wonder that they are as correct as they are. Some of them are above reproach. When he offered to the reader of his edition of Plato, as he did in the preface of that book, a gold crown for every discovered error, he must have had a confidence in its accuracy which comes only from the consciousness of thorough editorial work. Aldus' taste as editor went beyond the text. Not content with an accurate version, he had that version presented in pleasing types. Everybody admits the value of his invention of Italic, even if his use of it as a text-letter be not approved. But few persons consider that we are indebted to Aldus for the present forms that he introduced. How great this obligation is will be readily acknowledged after an examination of the uncouth characters and the discordant styles of Greek copyists before the sixteenth century. Aldus' invention of small capitals has already been noticed. Here, then, are three distinct styles of book-printing types which he introduced, and which have been adopted everywhere almost without dissent. Other printers have done work of high merit; other type-founders have made pleasing ornamental or fancy types; but no printer or founder since Aldus has invented even one original style of printing types which has been adopted and kept in use as a text-letter for books." [Footnote 16] [Footnote 16: It was after Grolier's visit to Aldus in Italy that he took up the making of that collection of beautifully bound and printed books which have since made him famous; he evidently owed the inspiration not a little to the great Italian printer.] The other most distinguished printer of Columbus' Century whose career deserves to be sketched at some length was the Frenchman, Geoffrey Tory or Trinus, who is not so well known as Aldus, coming a little later in history, but whose work was of the highest artistic character. {157} [Illustration: BORDER FROM "BOOK OF HOURS," GEOFFREY TORY (1525)]