Like Aldus, he was of poor parents, but attended the best schools in the Province of Berry toward the end of the fifteenth century and then travelled in Italy. He afterwards became instructor in Paris in the College de Plessis, edited an edition of Pomponius Mela, which was published by Jean Petit, and prepared "AEneas Sylvius" and other works for Estienne the Elder. Fond of art, Tory began to practise wood-engraving and gave up his teaching to study wood-engraving in Italy. He supported himself while studying by painting miniatures for the adornment of manuscripts and printed books and became a great master of his chosen art. He engraved initials, characters and borders for Simon de Collines in Paris, and his work shows the fullest acquaintance with all the resources of his art. His plates marked with the Cross of {158} Lorraine are now considered worthy of a very high place in every choice collection. His principal contribution to book-making was his remarkable original work called "Champ Fleury." This book was divided into three parts for the instruction of printers. The first of these parts contained a treatise upon the proper use of letters. The second treated of the origin of the capital letter and its proper place. The third contained accurate drawings of letters and a large number of alphabets of various kinds, so that proper selection of type might be made for various kinds of books and varying sizes according to space and page. This work had a far-reaching influence. One result was an immediate and complete revolution in French typography and orthography--the abandonment of the Gothic and the adoption of the new cutting of antique type. After having been used for several centuries, the faces of the type thus produced were abandoned for a time and are now being revived. In this book also Tory laid down the rules for the proper use in French of the accents, apostrophe and marks of punctuation. He did more than anyone else to settle these vexed problems of usage for the world. The publication of the book won from Francis I, himself a scholar and patron of learning and an author to whom so much is owed in the French Renaissance, the title of King's Printer. Some of Tory's borders are illustrated on these pages. They have been fruitful models full of suggestion for such work ever since.