In sculpture the roll of great names is scarcely less wonderful than that of the great painters. It includes such men as Verrocchio and Leopardi, Donatello, Leonardo da Vinci, Michelangelo, the Della Robbias, Benvenuto Cellini and many others of less fame in this great period, but who would have been looked up to as wonder workers in the art at any other time. The sculpture work, for instance, that was accomplished in connection with Certosa at Pavia, though out of harmony with some of the true aims of sculpture, shows how beautifully Renaissance men worked out artistic ideas of any kind. Glorious as is the list of sculptors in Italy, other countries are by no means eclipsed by Italian pre-eminence. The work of {xxxi} the great sculptors of Nuremberg, Adam Kraft and Peter Vischer, as well as of the coterie of sculptors who did the wonderful group of heroes at Innsbruck, show how the wind of the spirit of genius in art was blowing abroad everywhere. In the Low Countries, while we do not always know the names of the sculptors, their beautiful monuments are with us. Such beautiful work as the Tomb of Mary of Burgundy, made by Peter Beckere of Brussels, is an enduring memorial of artistic excellence. There are wood carvings everywhere through the Low Countries that display the artistic genius of the time, In France, Colombe, trained in Flanders, did beautiful work, and Jean Juste and his son have left a monument of their sculptural genius in the Cathedral at Tours. Jean Fouchet made the lovely tomb of Agnes Sorel at Loches, and after the spirit of the Renaissance had come to France, Jean Goujon and Germain Pilon achieved their masterpieces. The reliefs of Jean Goujon for the "Fountain of the Innocents" are very well known and often to be seen in copies. The "Three Graces" of Germain Pilon, though already there is perhaps some sign of decadence, is a charming work of art that has never been excelled in the more modern time.