The century of ColumbusWalsh, James J. (James Joseph)
History
The century of Columbus
Walsh, James J. (James Joseph)
Renaissance
"The third room was reserved for receptions. Everywhere in the
ceiling, in the compartments, in the friezes (delicately carved in
gilded stucco upon an azure background) are found the devices
commented on at length by the humanists of her court: 'Alpha and
Omega' and the golden candlestick with seven branches, on which a
single light has resisted the effects of the wind, with the motto,
_'Unum sufficit in tenebris;'_ and {324} everywhere is to be read
the mysterious motto of which she was so proud, _'Nec Spe nec
Metu,'_ the highest resolution of a strong mind, which henceforth
'without hope, without fear,' ended in solitude a tormented life. In
the recess of the thick wall slightly raised above the floor,
Isabella placed her writing table within reach of the shelves
containing her favorite books; while she read there or wrote those
letters addressed to the poets and artists of Italy, overflowing
with enthusiasm for arts and letters, when she lifted her eyes
beyond the tranquil waters at the mouth of the Po, towards
Governolo, she would see coming the gilded Bucentaur with the
coat-of-arms of Ferrara, which brought her news of her family,
D'Este, and that of Aragon."
Lucretia Borgia at Ferrara not only continued the tradition of
aesthetic good taste so characteristic of the D'Este family into which
she had married, but even her years as mistress of the palace at
Ferrara mark an epoch in its history. She succeeded in securing the
services of some of the greatest of the artists of this wonderful
period, who came and contributed to the decoration of her private
apartments. Unfortunately her _camerini,_ private apartments, in the
Castello Rosso of Ferrara were destroyed by fire in 1634. They had
been adorned with paintings by Bellini, Titian and Dosso Dossi, fitted
into recesses of white marble carved by Antonio Lombardi. These rooms
as elsewhere were of small size, real living rooms, reflecting the
character of the personal taste of the owner. They were sanctuaries of
art and of literature with selected libraries of chosen volumes in
fine bindings and of music with beautiful musical instruments.
Public-domain text, read in full here on John Shaqi.
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