There are not many surpassing works of vernacular literature from this time, and yet Machiavelli's history represents the only contribution to historical literature that takes a place in human interests beside the immortal trio of classical historians, Herodotus, Thucydides and Tacitus. Ariosto represents one of the favorite works of Italian scholars, and as the Italians have been the most cultured people in the world ever since, their critical judgment must be accepted as of great value. In popular literature the Tales of Chivalry, the Picaresque romances or tales of roguery and the almost endless {xlii} number of Italian novels show how wide must have been the popular reading of the time. In France Villon has always been a favorite for all classes, and with Charles of Orleans he has been known by scholars at least outside of France and thoroughly appreciated. French modes of verse following the Italian came to influence the other countries of Europe at this time and have never ceased to supply ideas for the form of the less serious modes of poetry at least for all the generations down to our own. The influence of Clément Marot, of Brantôme and the Pleiades was felt in every literature of Europe, and has not completely disappeared even after the nearly four centuries that have elapsed since their time. The literature of the century contains besides the names of Rabelais as well as Calvin in France, Baldassare Castiglione, Michelangelo, Vasari, Politian, Bembo, Lorenzo de' Medici, Pico della Mirandola and the learned ladies Vittoria Colonna, Margaret of Navarre, Lucretia Tornabuoni, the mother of Lorenzo de Medici, as well as the great scholars of the period in Italy. In Spain St. Teresa and the great mystical writers were compensating for the triviality and worse of the picaresque romances and the tales of chivalry. In Portugal the young genius of Camöens was nurtured, while in England Sir Thomas More was laying the foundations of modern English prose, the great Morality Plays, "Everyman" and the "Castle of Perseverance," were written, and the first fruits of English dramatic literature in its more modern form came in "Ralph Royster Doyster" and "Gammer Gurton's Needle." In Germany the literary product of the vernacular was less significant, but Luther's great popular hymns and his vernacular translation of the Scriptures gave a vigorous birth to modern German verse and prose, while Hans Sachs and the Minnesingers did as much for popular poetry. Few periods can present a literature so rich in every country, so varied, with so many enduring elements and with so much that remains as the constant possession of scholars ever since. The literature of the time may not equal its art or even its science, but no apologies are needed for it.