The Century World's Fair Book for Boys and Girls: Being the Adventures of Harry and Philip with Their Tutor, Mr. Douglass, at the World's Columbian ExpositionJenks, Tudor
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The Century World's Fair Book for Boys and Girls: Being the Adventures of Harry and Philip with Their Tutor, Mr. Douglass, at the World's Columbian Exposition
Jenks, Tudor
Artists -- Juvenile fiction; Chicago (Ill.) -- Juvenile fiction; Conduct of life -- Juvenile fiction; Cousins -- Juvenile fiction; Exhibitions -- Juvenile fiction; National characteristics -- Juvenile fiction; Photographers -- Juvenile fiction; Tutors and tutoring -- Juvenile fiction; World's Columb
Next day at nearly half-past four the three travelers walked through
the passageway at the Grand Central Depot, had their tickets
punched,—and Philip noticed that the man at the gate kept tally on a
printed list of the numbers of different tickets presented,—and entered
the mahogany and blue-plush Wagner cars.
In a few minutes some one said quietly: “All right,” and the train
gently moved out.
“I can remember,” said Mr. Douglass, “when a train started with a
shock like a Japanese earthquake. Now this seemed to glide out as if
saying, ‘Oh, by the way, I think I’ll go to Chicago!’”
Harry laughed. “Yes,” he said, “and how little fuss there is about it.
Why, abroad, I remember that they had first a bell, then a yell, then a
scream, then the steam!”
As the train passed through the long tunnel just after leaving the
station, Mr. Douglass remarked:
“How monotonous those dark arches of brickwork are!”
“Yes,” said Philip, “they should have a set of frescos put in them.”
“But no one could see the pictures,” said Mr. Douglass, “we pass them
so fast.”
“That’s true,” said Harry, with a pretended sigh; “but they might have
to be instantaneous photographs.”
Philip looked puzzled for a minute and then laughed. After they left
the tunnel, they passed through the suburbs of New York, entered a
narrow cut that turned westward, and were soon sailing along the
Hudson River—or so it seemed. There was no shore visible beside them,
except for an occasional tumble-down dock, and beyond lay the river—a
soft, gray expanse relieved against the Palisades, and later against
more distant purple hills. It was a rest for their eyes to see only
an occasional sloop breaking the long stretch of water, and the noise
of the train was lessened because there was nothing to echo back the
sounds from the river.
Mr. Douglass found his pleasure in the scenery, the widenings of the
river, the soft outlines of the hills, the long reflection of the
setting sun. But the boys cared more to see the passengers.
“Isn’t it funny,” said Philip, “how Americans take things as a matter
of course? I really believe that if the train was a sort of Jules Verne
unlimited express for the planet Mars, the people would all look placid
and read the evening papers.”
“Of course,” said Harry. “What else can they do? Would you expect me to
go forward and say: ‘Dear Mr. Engineer, but _do_ you really think you
know what all these brass and steel things are? Don’t you feel scared?
Won’t you lie down awhile on the coal, while I run the engine for you?’”
“Nonsense!” said Philip, laughing. “But they might show some interest.”
“They do,” said Harry; “but that’s not what I’m thinking of. I’m
thinking I’ll be a civil engineer.”
“Why?” said Philip.
“Just think,” Harry answered, pointing from the car window, “what a
good time they must have had laying out this road! Why, it was just a
camping-out frolic, that’s all it was.”
[Illustration: ONE OF THE DECORATORS AT WORK.]
Public-domain text, read in full here on John Shaqi.
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