The Century World's Fair Book for Boys and Girls: Being the Adventures of Harry and Philip with Their Tutor, Mr. Douglass, at the World's Columbian ExpositionJenks, Tudor
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The Century World's Fair Book for Boys and Girls: Being the Adventures of Harry and Philip with Their Tutor, Mr. Douglass, at the World's Columbian Exposition
Jenks, Tudor
Artists -- Juvenile fiction; Chicago (Ill.) -- Juvenile fiction; Conduct of life -- Juvenile fiction; Cousins -- Juvenile fiction; Exhibitions -- Juvenile fiction; National characteristics -- Juvenile fiction; Photographers -- Juvenile fiction; Tutors and tutoring -- Juvenile fiction; World's Columb
He tried to go regularly around the exhibits, but surrendered almost
at once. The Patent Office models discouraged him; but the Geological
Department!—the great transparent pictures in the windows convinced him
that he couldn’t (as he once heard a man say) “poss the impossible and
scrute the inscrutable.”
But he did notice some things.
He sketched the skull of the _Dinoceras mirabile_ (and copied the name,
too), because he was sure that it was the very ugliest thing in the
world. He walked around a section of the big tree from California. He
really studied a few life-like and life-size groups showing Indians
at work, and wished sincerely that he were Methuselah, and that the
Fair would last all his days. It was a petrified Wild West show. He
said they were splendid, to a gray-bearded Westerner, who replied
emphatically:
“They are _so_—and I have been used to the scoundrels all my life!”
[Illustration: THE UNITED STATES GOVERNMENT BUILDING.]
Harry sketched a queer Indian “priest-clown’s” head. At first he felt a
little afraid to bring out his book and pencil; but he found out that
every one had more to do than watch a boy drawing, and before the day
was over he drew whatever he chose, entirely forgetting the crowd.
Different things attracted different people. He heard one
farmer-looking man say: “My stars, Ma! Look-a here!” and expected to
see a marvel. He found only some stuffed chickens. Probably the farmer
had never seen fowls stuffed unroasted.
But when he came to the War Department collection he gave up skipping.
He _had_ to see that. Just at the entrance was a splendid bust of
General Sheridan, the face wearing the expression the general must
have had when he said at Winchester, “Turn around, boys! We’re going
back!” Against the windows were more fine transparencies, and the
whole floor-space was filled with everything having to do with war
and soldiers. Small arms, from a brass blunderbuss to the latest
breech-loader—yes, and to the earliest, for there was one Chinese
breech-loader of the 14th century.
[Illustration: THE VIKING SHIP.]
“Instead of trying to get up new things,” said Harry, half aloud, “we
ought to go to China and study ancient history.”
Harry had a feeling of discouragement in spite of his interest. He had
always entertained a vague idea that some day he might give his mind to
it and make a big invention—a phonograph or a flying railway, or some
little thing like that; but now, when he saw how everything seemed to
have been done, and done better than he could have dreamed of—well, he
said to himself, “This Fair has spoiled one great inventor, for I would
not dare to think there was anything new!”
But then he caught sight of a picture called the “March of Time,”
—representing a great procession of soldiers, of generals and
veterans,—which restored his good spirits, for right in front, “leading
the whole crowd,” was a row of rollicking small boys. He was grateful
to the artist.
Public-domain text, read in full here on John Shaqi.
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