Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) THE CERAMIC ART THE CERAMIC ART A COMPENDIUM OF THE HISTORY AND MANUFACTURE OF POTTERY AND PORCELAIN BY JENNIE J. YOUNG WITH 464 ILLUSTRATIONS _Argilla quidvis imitaberis uda_ HORACE, EPIST., II., 2, 8 [Illustration] NEW YORK HARPER & BROTHERS, PUBLISHERS FRANKLIN SQUARE 1878 Entered according to Act of Congress, in the year 1878, by HARPER & BROTHERS, In the Office of the Librarian of Congress, at Washington. PREFACE. In writing the present volume, the author’s object has been to answer as tersely and lucidly as possible the more important questions in connection with the history and manufacture of pottery and porcelain, and to bring the results of recent research to bear upon some of the unsolved problems of the “science of ceramics.” The literature of the subject is formidable in dimensions. Authors have divided the field into sections, and have in many cases presented learned and exhaustive special treatises. Notwithstanding the solid learning and critical acumen reflected in their pages, their form and voluminous character, however, detracted from their value as books for familiar and speedy reference, and left the acquirement of a general knowledge of the ceramic art a matter for wide research and prolonged study on the part of every reader and collector. The attempt has here been made to condense the leading points of the subject, to arrange them after a simple and easily intelligible method, and thus to present in one volume a comprehensive history. No hesitation has been shown in drawing upon foreign authors. Many of the later developments of the art have also been touched upon, and the results of the more recent efforts of artists and manufacturers have been illustrated and described. In treating of America, the author has endeavored to convey some idea of its wealth in materials and of the present condition and tendencies of the industry, and to do justice to those who have laid the foundation of its claim to recognition in the world of art.