The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
In this way the intercourse of nations may frequently be explained by
the help of pottery. Not only, be it observed, may it be taken as an
indicator of the movements or extension of the nations themselves, but
of the manner and extent of their intercourse with the rest of the
world.
As an exponent of the customs of antiquity, its aid is of the highest
value. We learn, for instance, that among the Greeks the usual custom
was to mix wine in one vessel, cool it in another, draw it from the
latter into jugs, and from them fill and replenish the beakers or cups
of guests. We can see anywhere to-day tiny tea-sets for the amusement of
children. The Greeks had something closely akin to them. Vases were
given to children, as toys are given now. Some of those discovered are
so limited in their dimensions that they could not have been used for
any other purpose, and on others are depicted the games in which
children engaged. Of all the uses to which an earthen jar could be put,
certainly the most singular was that discovered by Diogenes, when he
chose one for his habitation (Fig. 4). That such was the case there is
strong reason for believing. This statement is one which may disconcert
popular belief, and break off the association between the philosopher
and a “tub;” but the authorities in favor of his home being a huge jar
are tolerably decisive. A tub, moreover, scarcely seems to meet the
requirements of the occasion, whereas it is easy to imagine a _pithos_
satisfying the limited demands of Diogenes in the way of house-keeping.
Nor was the whim of the philosopher without parallel. It is said that
during the Peloponnesian war the Athenians lived in similar vessels. The
_pithos_ occupied by Diogenes was cracked and patched; and these
vessels, when unfit for other use, were, long after his day, used as
dwellings by the poor.
[Illustration: Fig. 4.--Diogenes in Pithos.]
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