The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The _Cinerary_ or _Sepulchral Urns_ vary very considerably
in size, in form, in ornamentation, and in material--the latter,
naturally, depending on the locality where the urns were made; and, as
a general rule, they differ also in the different tribes. Those which
are supposed to be the most ancient, from the fact of their frequently
containing flint instruments along with the calcined bones, are of
large size, ranging from nine or ten, to sixteen or eighteen inches
in height. Those which are considered to belong to a somewhat later
period, when cremation had again become general, are of a smaller size,
and of a somewhat finer texture. With them objects of flint are rarely
found, but articles of bronze are occasionally discovered. Sometimes
they are wide at the mouth, without any overlapping rim; at others they
are characterised by a deeply overlapping lip or rim; others are more
of “flower-pot” form, with encircling raised bands, while others again
are contracted inwardly at the mouth by curved rims. Some also have
loops at the sides. The ornamentation is produced chiefly by incised
lines, or punctures, or by lines, &c., produced by indenting into the
soft clay a twisted thong (Fig. 37). Encircling and zig-zag lines of
various forms, reticulated and lozenge-formed patterns, and rows of
indentations, are the usual decorations; but occasionally, as at West
Kennet and Launceston Heath, clearly defined patterns are produced by
the finger or thumb nail.
[Illustration: Fig. 11.--Launceston Heath.]
[Illustration: Fig. 12.--Cleatham.]
[Illustration: Fig. 13.--Launceston Heath.]
[Illustration: Fig. 14.--Stone.]
[Illustration: Fig. 15.--Cleatham.]
The more usual of the forms will be best understood by the engraved
examples, selected from the proceeds of many barrow openings in
different parts of the kingdom.
[Illustration: Fig. 16.--Broad Down.]
[Illustration: Fig. 17.--Tredenny.]
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