The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Romano-British Pottery--Upchurch Ware--Durobrivian Ware--Roman
Potters’ Kilns--Pottery in London--Salopian Ware--New Forest
Ware--Yorkshire, Oxfordshire, Lincolnshire, and other
Wares--Varieties of Vessels: Amphoræ--Mortaria, &c.--Sepulchral
Vessels--Tiles--Tile Tombs--Clay Coffins--Lamps--Penates--Coin
Moulds, &c.
During the Romano-British period the fictile art was much practised in
England, and not only was a large variety of wares produced, but an
almost endless number of vessels were made. Potworks were established
in many parts of the kingdom, some of which grew to very large
dimensions, while others of a less important character and size still
made wares of extremely good quality. The three principal potteries--at
least so far as present researches have enabled us to judge--in England
at this period were those on the Medway, in the Upchurch marshes,
extending towards Sheerness, in Kent; the Durobrivian potteries on
the river Nen, in Northamptonshire; and the Salopian potteries on the
Severn, in Shropshire. Smaller pot works, however, being scattered over
various parts of the kingdom.
With the well-known “Samian Ware,” the finest and most beautiful of
the pottery of the Romans which is found in this country, I have,
of course, nothing to do in my present work; for, although found so
frequently and so abundantly in England, it was not manufactured here,
and therefore does not come within its scope. I proceed, therefore, to
speak of the various English seats of the manufacture.
_Upchurch Ware._--The district wherein this pottery was made and
is found so abundantly, is of five or six miles in length, and from
one to two in breadth; and over the whole of this tract of country,
at a distance of some few feet below the surface, a regular layer of
remains of Roman fictile art occurs. To Mr. C. Roach Smith is due the
greatest credit of bringing these under notice:--“There can be no
doubt,” says Mr. Wright, “not only from the extent of ground covered by
the potteries, but from the frequent occurrence of the sort of pottery
made here, among Roman remains in Britain belonging to different
periods, that these potteries were in full activity during the whole
extent of the Roman period. The site of the kilns was moved as the clay
was used up, and at the same time the refuse pottery was thrown on the
ground behind them, so that, when at last abandoned, this extensive
site presented a surface of ground covered almost entirely by a bed of
refuse pottery.” Here, then, the Roman _figuli_ exercised, more
extensively than anywhere else in England their art, and continued its
practice for a long series of years. In those days the ground would of
course be firm and dry. Since then, as is usually the case in so long
a number of years, the soil has accumulated to the thickness of about
three feet--the inroads which the Medway is constantly making upon it
forming the creeks, and continually disclosing the remains left by the
potters.
Public-domain text, read in full here on John Shaqi.
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