A considerable variety of other marks are to be met with, but I apprehend they are most probably but the distinctive marks of the artists employed. It must be borne in mind that in other factories the “hands” were numbered, and, as was the case at Derby, were required to attach each one his number below the general mark of the establishment. At Worcester I am not aware that such a regulation existed; and thus, probably, each artist had his “mark” instead. A few examples of these I here give:-- [Illustration: Figs. 482 to 511.] After a time the Dresden and Sèvres productions were studied and successfully followed at Worcester, the salmon-coloured ground and _bleu de roi_ being excellently managed. Tea and dessert services, vases, &c., were produced in these styles, some of which are remarkable for the elegance of their painting and ornamentation. On many examples of this period the Dresden mark was used, as shown in the accompanying woodcut. [Illustration: Fig. 512.] In March, 1756, “The proprietors of the Worcester China Manufacture, for the better accommodation of merchants and traders, have opened a warehouse at London House, Aldersgate Street, London, where they may be supplied every day, between the hours of nine in the morning and three in the afternoon, with a sortment of goods, wholesale, on the most reasonable terms. Orders are likewise taken and executed with dispatch for home and foreign trade.” [Illustration: Fig. 513.] A remarkable bowl, apparently from a mould cast from a silver original, is of the date of the commencement of these works. It is in possession of Mrs. Barr, and bears beneath it the date [1751] Mr. Binns also possesses specimens which may be attributed to about the same period.