The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In issuing my present work I have two distinct personal duties to
perform, and I hasten, in these few brief lines of introduction, to
discharge them. First, I earnestly desire to ask indulgence from my
readers for any shortcomings which may be apparent in its contents;
and next, I desire emphatically to express my thanks to all who have
in any way, or even to the smallest extent, assisted me in my labours.
The preparation of the work has extended over a considerable period
of time, and I have had many difficulties to contend with that are,
and must necessarily be, wholly unknown to any but myself--hard
literary digging to get at facts and to verify dates, that is not
understood, and would scarce be believed in, by the reader who turns
to my pages--and hence errors of omission and of commission may have,
nay, doubtless have crept in, and may in some places, to a greater or
less extent, have marred the accuracy of the page whereon they have
occurred. I can honestly say I have left nothing undone, no source
untried, and no trouble untaken to secure perfect accuracy in all I
have written, and yet I am painfully aware that shortcomings may, and
doubtless will, be laid to my charge; for these, wherever they occur,
I ask, and indeed claim, indulgence. I believe in _work_, in hard
unceasing labour, in patient and painstaking research, in untiring
searchings, and in diligent collection and arrangement of facts--to
make time and labour and money subservient to the end in view, rather
than that the end in view, and the time and labour and money expended,
should bend and bow and ultimately break before _time_. Thus it is
that my “Ceramic Art” has been so long in progress, and thus it is that
many changes have occurred during the time it has been passing through
the press which it has been manifestly impossible to chronicle.
I have the proud satisfaction, however, of knowing that my work is the
only one of its kind yet attempted, and I feel a confident hope that it
will fill a gap that has long wanted filling, and will be found alike
useful to the manufacturer, the china collector, and the general reader.
Public-domain text, read in full here on John Shaqi.
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