The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Shortly after that, Holdship appears to have left Worcester, and, as
evidenced by the original deed in my own possession, in 1764 bound
himself by bond and various articles of agreement, to Messrs. Duesbury
and Heath, of Derby, for the making and printing china or porcelain
ware. In these “articles of agreement” he is described as “Richard
Holdship, of the city of Worcester, china maker,” and in it he agrees
for “the sum of one hundred pounds of lawful British money,” to be
paid down, and for an annuity of thirty pounds a year, to be paid
to him during life, to deliver to Messrs. Duesbury and Heath, “in
writing under his hand, the process now pursued by him the said Richard
Holdship, in the making of china or porcelain ware, agreeable to the
proofs already made (by him) at the china manufactory of the said John
Heath and William Duesbury, in Derby;” also, “during his life to supply
and furnish” them “with a sufficient quantity of soapy rock used in
the making of china or porcelain ware, at such a price as any other
china manufacturers do, shall, or may at any time hereafter give for
that commodity;” and “also that he, the said Richard Holdship, shall
and will during his life print, or cause to be printed, all the china
or porcelain ware which the said John Heath and William Duesbury,
their heirs, &c., shall from time to time have occasion to be printed,
of equal skill and workmanship, and upon as reasonable terms as the
said (Heath and Duesbury) can have the same done for by any other
person or persons whomsoever, or agreeable to the prices now given
in.” He also binds himself not to disclose or make known his process
to any other persons during the continuance of these articles, nor
to bequeath, sell, or communicate them to any persons, so as to take
place after his death, unless the articles are cancelled during his
lifetime. The agreement was to continue in force so long as Duesbury
and Heath determined to carry on the business according to his process;
and whenever they should decline doing so, then Holdship was to be at
liberty to sell or communicate his process to any one else. At Derby,
Holdship also printed stoneware. As I have stated in my account of
the Derby china works, the printed ware did not appear to meet Mr.
Duesbury’s views, or to be so advantageous as the higher class of
goods painted by hand, for which he was famed, and thus there were
constant complaints and recriminations passing between Holdship and
his employers. From some of the documents I glean that his process was
“for printing enamell and blew;” that he had an assistant named William
Underwood; that he valued his press at £10 10_s._; offered his
“utensils and copper engraved plates at half prime cost;” that his
“enamell collours, weight 151 lbs.,” he valued at £35, including his
process for making the same; and that he proposes to “yield his process
for printing enamell and blew, for which he hath been offered several
Public-domain text, read in full here on John Shaqi.
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