The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
hundred pounds.” How long the agreement continued I cannot say, but at
all events, Holdship was still employed at Derby at the end of 1769.
Of much of the work of Robert Hancock, fortunately, there can be no
possible doubt, for his name appears in full on some examples, and his
initials--at least, initials believed to be his--on others. These will
be seen in the accompanying engraving:--
[Illustration: Figs. 515 to 517.]
Two of these, it will be seen, are somewhat curious, having the Chelsea
anchor attached to the name of Worcester. It is a problem worth solving
whether this monogram of RH conjoined was that of Robert Hancock, and,
if so, whether he had previously been connected with the Chelsea works;
or whether the anchor was adopted as a mark by Richard Holdship in
allusion to his name, _hold ship_, which, it must be admitted, would
be a clever and very appropriate colophon. The engraving, looked at
as engraving alone, upon some of the pieces of this period, is truly
beautiful and sharp; but when considered as _transfer_ on to china
paste, is very wonderful.
In Mr. Binns’s possession is a watch-back of Battersea enamel, transfer
printed, bearing the initials “R. H. f.” The subject was a popular one
for china and enamels, and was frequently reproduced.
[Illustration: Fig. 518.]
Richard Hancock, it is supposed, was employed at Battersea before
coming to Worcester, where he must have been settled before the date
(1757) of the poem just quoted. He was an excellent engraver, as
the watch-back (Fig. 518) will testify. Examples of his engravings,
transferred on to _Chinese_ porcelain, are also preserved, and are
considered to be his trial pieces from transferring on to this material.
The copper plate itself from which these foreign china specimens as
well as many of the choicest known examples of Worcester china have
been printed, I had myself the good fortune to discover a few years ago
at Coalport. It bears the engraver’s name--_R. Hancock fecit_.
[Illustration:
VOL. I.
PLATE II.
HANCOCK’S ORIGINAL ENGRAVINGS, FROM CAUGHLEY AND COALPORT.
(The central group bears his name. “R. Hancock, _fecit_.” See pp.
234, 270.)]
Public-domain text, read in full here on John Shaqi.
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