The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
_St. George’s Pottery Works._--These works were established by
their present proprietor, Mr. D. W. Barker, formerly of Frome
in Somersetshire, in 1869, for the manufacture of rustic ware,
terra-cotta, and patent bricks--the latter being the main production
of the establishment. The works are situated on Gregory’s Bank, close
to the canal, on the north side of Worcester, where they occupy a
large area of ground. The kilns were erected from the designs of the
patentees, Hoffman and Licht, of Berlin and Dantzic, and the machinery
by the patentees, Bradley and Craven, of Wakefield. As these are said
to be among the best constructed of modern brick and terra-cotta works,
I quote the following particulars:--
“The kiln consists of a long railway-tunnel-shaped passage,
forming a long annular channel or ring. This ring is divided
into twelve compartments, which may be made to communicate or
to be separated from each other by the raising or lowering
of a partition or damper. To each compartment there is an
entrance-doorway, which can be closed with temporary brickwork.
Flues lead from the bed of each compartment to the central
smoke-chamber, which communicates by a main flue with the
chimney. The state and progress of the fire can be at any time
easily seen through the apertures on the top, down which the
fuel is passed; and as the draught is under perfect control, the
heat can be at once raised or lowered as may be required. The
low temperature at which the gases leave the kiln is indicated
by the fact that a high chimney for getting up the draught is
required. There is thus a perpetual current, so to say, of
bricks, which is brought slowly to revolve against, and in the
contrary direction to, a perpetually revolving draught. In the
green stage of the bricks they thus come in contact with air
at a comparatively low temperature, and then gradually advance
towards higher temperatures until they are at last burnt. Each
stack of bricks to be burnt is, therefore, most ingeniously made
to combine successively--(1) the functions of a grate with bars;
(2) of a Leimen’s regenerator, for heating the air to be burnt;
(3) of a drying-room for themselves when green; and (4) of a
cooling-room for themselves when burnt. It is impossible not to
enjoy the examination of such an exemplification of the dominion
of mind over matter. Each day one chamber is emptied of its
burnt and cooled-down bricks, and another chamber is filled with
green goods. Any repairs can also be at once done to any one of
the chambers as it gets emptied in its turn. In every process of
treating clay or marl, with a view to drying it in the open air
or to burning it, it is absolutely necessary to carry out these
operations gradually at the risk of cracking and splitting the
goods. This kiln, from its very gradual action and absence of
Public-domain text, read in full here on John Shaqi.
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