The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
sudden changes of temperature, produces no “wasters” from these
causes, and the bricks can also be burnt in a much more moist
state than in ordinary kilns, as the heat is very gradually
brought to bear upon them. The extraordinary and widespread
success of the patent annular kilns, the beauty of the
scientific principles they so ingeniously embody, and the many
fresh applications of which they are capable, are well deserving
a careful study. In all there are not less than five hundred of
these kilns at work in different parts of the world--Europe, the
United States, India, and Australia. In England and her colonies
alone there are upwards of ninety in use, and the power of
production, within merely England and Ireland, can be reckoned
at nearly one million of bricks _daily_. Our Admiralty use five,
the Indian Government already six. In the Patent Kiln there is
an important source of saving in the fact that the moisture is
driven into the chimney, and is never carried over the fuel,
uselessly conveying away, as it would do, enormous amounts of
latent heat. The chimney, which rises from the centre of the
kiln, is of a circular form, about 160 feet in height, 21 feet 6
inches in diameter at the base, and 7 feet 6 inches at the top.”
The analysis of the clay, as reported by Dr. Arthur E. Davis, is as
follows:--silica, 56·74; alumina, 31·66; oxide of iron, 6·96; lime,
3·43; magnesia, trace; alkaline salts, 0·53; loss in analysis, 0·68;
total, 100·00.
The rustic terra-cotta ware produced at these works is of a very
superior quality, and the designs are so true to nature as to be
faultless in every respect. In this ware garden-seats, flower-pots,
and flower-vases, mignonette and other boxes, spill-cases, and a
variety of other articles have been made, and all are equally good in
design. Among the rustic flower-pots and stands some are excellent
representations of the gnarled root of a tree; the small branches
of trees nailed to the sides of the vessel; and the bole of a tree
beautifully modelled, and apparently hollowed out to receive the plant.
In these cases the grain of the wood is well copied. Mr. Barker’s great
forte in these designs seems to have been the accurate and truthful
copying of nature in the barks and peculiarities of growth of various
trees.
Mr. Barker manufactures the ceramic part of Beckitt’s patent
photographic apparatus--an apparatus consisting of an earthenware
cylinder and a series of troughs of the same material, in which the
cylinder is made to revolve by means of a handle; the troughs being
intended for the hyposulphate bath, the gold solution, and wash,
respectively.
Ordinary flower-pots and other horticultural ware, of good quality and
excellent material, are extensively made, and form a staple branch of
the St. George’s trade.
STOURBRIDGE.
Public-domain text, read in full here on John Shaqi.
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