The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
In 1772, as I have shown, Mr. Turner succeeded Mr. Gallimore in these
works, and set about enlarging them. In 1775 we read, “The porcelain
manufactory erected near Bridgnorth, in this county, is now quite
completed, and the proprietors have received and completed orders to
a very large amount. Lately we saw some of their productions, which
in colour and fineness are truly elegant and beautiful, and have
the bright and lively white of the so much extolled oriental.” In
1780 he visited France, for the purpose of “picking up knowledge” on
the porcelain manufactures of Paris and other places. He is said to
have been an excellent draughtsman, and this added to his chemical
knowledge--for he had a regular laboratory fitted up at the top of
his house--must have been a great advantage to him while in that
country of beautiful and chaste designs. On his return from France
he brought with him some skilled workmen, and at once entered with
increased spirit into the manufacture of porcelain in his own works
at Caughley. One of the men whom he had brought over appears to have
been a clever architect; and from his design a very tasty and elegant
château, which he called “Caughley Place,” and where he resided, was
built for Mr. Turner, near the works. This building being of a novel
design in England--more especially in the sequestered neighbourhood
of Caughley--attracted much attention; and its peculiarities of
construction and arrangement are still often talked about by the old
inhabitants of the place. This house and Caughley Hall, after Mr.
Turner’s death, came into the hands of Lord Forester, and were pulled
down in 1820 or 1821; part of the materials being used for making
additions to the present works at Coalport. At the present time no
vestiges of the house or works remain at Caughley, with the exception
of traces of foundations, and here and there a spring flower or two
which still make their appearance where once the elegantly laid out
gardens existed.
In 1780 Mr. Turner introduced the making of the famous “Willow
Pattern”--the first made in England--at Caughley, and about the same
time the “Broseley Blue Dragon” pattern. The willow pattern is still
commonly known in the trade as “Broseley pattern.”
[Illustration: Fig. 586.]
Public-domain text, read in full here on John Shaqi.
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