The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
It will be seen from what I have said, that the Coalport works had
already, before the commencement of the present century, absorbed
those of Caughley, of Jackfield, and of the opposition establishment
of Messrs. Anstice, Horton, and Rose. Some years later, the Swansea
Porcelain Works, which had risen somewhat into repute, were
discontinued, and the moulds, &c, bought by Mr. Rose, who removed them,
along with the workmen, to Coalport, about the year 1820. Another
famed manufactory, though small, that of Nantgarw, established by
Billingsley, the famous flower painter, of Derby, and his son-in-law,
Walker, also of Derby, in 1816 (under the assumed name of _Beeley_
and Walker), and which produced, perhaps, the finest examples of
porcelain with granulated fracture ever made, also soon afterwards
was merged into the Coalport establishment. Billingsley and Walker,
on discontinuing the works at Nantgarw, removed to Coalport, with
all their moulds and processes, and continued employed there until
Billingsley’s death, which took place in 1828. Walker was a remarkably
clever workman, and did much during the time of his continuance at
Coalport to improve the art of china-making. He removed thence to
America, where he established a pottery, which, I believe, he still
continues to work. The Nantgarw porcelain was very expensive to make,
but was remarkably fine in its body and texture. The original recipes
for this peculiar body are in the possession of Messrs. Rose & Co.;
and it can be made at Coalport of as fine a quality as ever. I have
carefully examined specimens made _at_ Nantgarw with others made
by Billingsley and Walker when they first came to Coalport, and these
again with examples made by Messrs. Rose in 1860, and they appear all
to be of equal excellence of body. It is, however, too expensive a
process to be followed to any extent, and is never manufactured there
now.
In 1820 Mr. John Rose received the gold medal of the Society of Arts
for his improvements in the manufacture of china. The prize, which
was offered for the best porcelain glaze produced without lead,
was competed for by Copelands, Davenports, and all the principal
manufacturers, as well as by Mr. Rose, but was honourably gained by
him. It bears the inscription--“To Mr. John Rose, MDCCCXX., for his
improved glaze for porcelain.”
The history of the works has been one of complete success from
their first establishment to the present day; and this success has
been attained by untiring and unflagging energy on the part of the
proprietary, and by a determination to make their manufactory second
to none in existence in extent and in beauty and purity of work. The
porcelain trade owes much to the ability and energy of Mr. John Rose;
and this skill, ability, and energy is equally the characteristic of
the present proprietor, Mr. Pugh.
Public-domain text, read in full here on John Shaqi.
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