The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Both at the Great Exhibition in 1851 and that of 1862, as well as at
the French Exhibition in 1855, Messrs. Rose & Co. carried off medals
for their productions; and these recognitions of excellence have
been continued at the later International Exhibitions. At the first
a magnificent dessert service in the difficult but truly beautiful
_Rose du Barry_ colour, which the firm had succeeded in restoring
in all its beauty to the ceramic art, was exhibited, and excited
considerable interest. This service, considered by competent judges
to equal the original Sèvres in evenness of colour, was purchased by
Lord Ashburton. At the second, Messrs. Rose exhibited a large number of
exquisite examples of their make; and services were purchased by the
Emperor of the French, by M. Fould, and by the principal _savans_
of Paris. At the third, the selection of vases and other decorative
pieces was of the finest possible character.
[Illustration: Figs. 626 to 628.]
At the present hour the productions of the Coalport works take a
foremost rank among the best porcelain of the kingdom; many of the
specialities of this firm being marvels of beauty; the colours pure
and full, and of extreme richness. Sardinian green--a colour for the
extreme depth and richness of which these works are celebrated--is
introduced with remarkable effect both in services and otherwise. One
of the finest pieces of this colour is a tripod wine goblet, with
flowers in tablets, and raised and jewelled gold borders. A lighter
shade of this fine green is introduced, with tablets of flowers and
Westbourne birds, with great effect on two-handled goblets, &c. _Rose
du Barry_ has always been a speciality of the Coalport works, and a
colour on the excellence of which its proprietors, especially the late
clever and enlightened Mr. W. F. Rose, have always prided themselves.
This is used as a ground in every conceivable variety of decoration,
and when enriched with raised dead and burnished gold, and with the
exquisite painting by which it is usually accompanied, has a remarkably
rich and chaste effect. A new jardinière, with pierced key top and
Sèvres fruit and flowers, is one of the prettiest examples of this
colour, combined with raised gold and flowers, which has been produced.
One of the finest and most massive pieces in this colour is a claret
jug, with raised gold vine-leaves and grapes and other decorations,
and splendidly painted on one side with the head of a bacchante and on
the other a bunch of grapes. A pink, or light _Rose du Barry_,
is also much used as a ground for pilgrims’ bottles, vases, services,
&c., where, for some kinds of decoration, it harmonizes better than
the full colour would. A blue with a slightly purplish cast, which
gives it an additional richness and fulness, has been introduced, and
forms a splendid ground for Japanese decoration in vases, pilgrims’
bottles, &c., in which style of now very fashionable decoration
the Coalport artists excel.
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