The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
A small manufactory of china was established and carried on for
about a quarter of a century at Madeley, by Mr. Martin Randall, who
served his apprenticeship at the Coalport works; his elder brothers,
Edward and William Randall, having been apprenticed at Caughley.
From Coalport Martin Randall went to the Derby China Works, where he
remained for some time, and became the friend of two of their famed
painters, Phillip Cleve and William Pegg. From Derby he removed to
London, and entered into business with a Mr. Robins, at Islington.
Upon a dissolution of partnership he came down to Madeley, and fixed
himself in Park Place, where for a few years he confined himself to
re-decorating Sèvres china, which was procured by agents; chiefly of
Baldock and Garman, in Paris. White china was obtained where feasible;
but when that could not be had, dessert, tea, and breakfast services,
vases, wine coolers, jardinières, and other articles, ornamented simply
with blue and gold lines, dots, or sprigs of flowers, were purchased;
the latter of which were removed by fluoric acid, the glaze being so
blended with the body that it gave back a new surface on being passed
through the enamelling kiln. The gold was so thick on the pieces that
it was usually peeled off with a knife, and was then sent to London
to be again reduced by acid. At first Randall used a box kiln, with
charcoal; but afterwards erected an enamelling kiln, which he heated
with billets of wood.
Mr. Randall soon afterwards removed from Park Lane to a larger house
at the bottom of Madeley, where he erected enamelling kilns, and also
a kiln which served for biscuit and glaze. His potters were Thomas
Wheeler, who was thrower and turner; Francis Brewer, modeller; William
Roberts, presser; and David Morris, fire-man. Mr. John Randall,
nephew of Mr. T. M. Randall, was an apprentice to the painting, and
Mr. Francis Brewer, now of the Tamworth Potteries, was an apprentice
to the modelling. Mr. Randall took the decorating department, but he
also employed as figure painter Mr. Philip Ballard, a son of Mr. S.
Ballard, solicitor, Worcester, and brother to Mr. T. Ballard, R.A. Mr.
R. B. Gray, artist, now of Dorking, and father of Mr. George Gray,
A.R.A., and his son Robert were flower painters; and the late Mr.
Enos Raby was ground-layer, colour-maker, and gilder. Mr. Randall’s
want of experience in the processes of making led to frequent errors
and losses, the latter being the greater from his constant desire to
produce a body which should equal Nantgarrw and Sèvres. “Too much
beer” on the part of a fire-man sometimes brought down the entire
kiln of ware, so that the saggers disappeared below the trial-hole,
and the pieces bulged like wax, till they became fast to each other,
and assumed the most fantastic forms. Too much flint in the clay,
at another time, produced a chalky absorbent body, that drank up so
much glaze that when fired it would fly off in the form of small
Public-domain text, read in full here on John Shaqi.
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