The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
daggers whilst cooling, and continue to do so for weeks. Mr. Randall,
however, kept his temper like a philosopher; and at length succeeded
in producing the nearest approach to the old Sèvres of any at that
time made in this kingdom. It had all the mellow transparency and
richness, and the same capability of receiving the colours into the
glaze, of that famous ware, and had this to such an extent that the
most experienced connoisseurs found it impossible to distinguish
between them, excepting by the mark, which no bribe would induce him
to imitate; being a strict quaker, he had a conscientious objection to
doing so. From Madeley, Mr. Randall removed his business to Shelton;
and here it was that the late Mr. Herbert Minton was so struck with the
beauty of his productions that he made overtures to him to join his
firm, which, however, he did not do; and he soon afterwards retired
from business, and went to live at Barlaston, near Trentham, where he
died, and was buried in a spot he had chosen for himself. Mr. Randall,
who was uncle to Mr. John Randall, F.G.S., one of the celebrated
painters of the Coalport works, used no mark.
JACKFIELD.
The Jackfield Pottery was one of the oldest in Shropshire, and is
believed to have been worked for centuries. The potters had, at
different times, probably from being expert hands, migrated into
Staffordshire; and I am informed that, as early as 1560, several
entries occur in the parish registers of Stoke-upon-Trent of people
(potters, of course) as “_from Jackfield_.” A few years ago a
coal-pit at Jackfield, which was known not to have been entered for
nearly two centuries, was opened, and in it was found a small mug of
brown earthenware, bearing the date 1634. The works were, probably not
long after this period, carried on by a person of the name of Glover,
who used the old salt glaze for his ware. He was succeeded by Mr. John
Thursfield, son of Mr. John Thursfield of Stoke-upon-Trent, about the
year 1713. This John Thursfield had married a daughter of Captain Webb,
who had been in the wars under Marlborough and Prince Eugene, and
had, while in the Low Countries, married a Dutch lady. In 1729 John
Thursfield married a lady named Eleanor Morris, of Ferney Bank, who is
curiously described in the Broseley register as a “sojoinner.” He died
in 1751, leaving two sons--John, who built the works at Benthall; and
Morris, who succeeded his father at Jackfield. The kind of ware made
at Jackfield was a white stoneware, very similar to the Staffordshire
make, and on some examples flowers and other ornaments were incised and
coloured, that is, the outlines were cut in while the clay was soft,
and the flowers and other ornaments touched afterwards with colour.
Tiles of the kind usually known as “Dutch tiles” were also made. In
1763 Mr. Simpson carried on the pottery at Jackfield, and made yellow
ware, and a ware the body of which was pipeclay and glazed with salt.
Public-domain text, read in full here on John Shaqi.
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