The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The encaustic, or figured tiles, for pavements, are also a great
speciality of Messrs. Maw’s works, and are, like those of other makers,
produced in immense variety and in large quantities. They are made in
two, three, four, or more colours combined, the colours used being
buff or yellow, red, black, blue, chocolate, white, cream, fawn,
green, &c., and of various sizes, the usual dimensions being 6 and 4¼
inches square. The patterns are, in many instances, taken from the
best remaining ancient examples, and in others have been specially
designed for Messrs. Maw by Sir Digby Wyatt, Owen Jones, and the
best authorities of the day; and many of the pavements thus produced
are matchless both in design, in general effect, and in beauty and
brilliancy of colour. Messrs. Maw are not content with producing simple
quarries, to be arranged in the usual varieties of ways, but they have
introduced entire pavements, over which is spread one grand design
covering its entire surface; many entire patterns occupying not the
usual old numbers of 4, 9, 12, 16, or 24 tiles, but 144 and other
numbers. These are peculiarly rich and effective, and particularly well
adapted for halls, vestibules, corridors, &c.
[Illustration: Fig. 702.]
[Illustration: Fig. 703.]
The marks used by Messrs. Maw are--
MAW & CO MAW & CO MAW & CO MAW & CO
BENTHALL BROSELEY BENTHALL BROSELEY
WORKS BROSELEY SALOP
BROSELEY
SALOP MAW & CO
The enamelled hearth-pavements and wall-tiles are another great
speciality of these works, and are of unsurpassable richness and
beauty, as are also their majolica tiles and fire-place linings.
These are produced in every possible variety, and are remarkable not
only for the richness and delicacy of the colours which are used,
and for their purely artistic and masterly combination, but for the
excellence of both body and glaze, and the scrupulous accuracy of forms
for fitting together. The same remark applies to the embossed and
indented tiles, and also to those which are partially pierced for open
work. They are all equally good, and bear evidence of that thorough
appreciation of art which pervades all the productions of the Benthall
works. The engravings (Figs. 702 and 703) show two of their majolica
chimney-pieces. The first is of the finest majolica, with a fire-place
lining of encaustic, or enamel, tiles, which would also be used for the
hearth. The decorations are in high and bold relief, and being coloured
with pure artistic taste, have a charming and very striking effect. It
is 4 feet 8 inches in height, and 7 feet in width, and is, of course,
furnished with a marble shelf at the top--which, however, is not shown
in the illustration.
[Illustration: Fig. 704.]
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