The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
“The account of the materials used by the Chinese is very justly
given by the Jesuit missionaries, as well as their manner of
preparing and mixing them into the China-ware paste. They
observe, the Chinese have two sorts of bodies for porcelain; one
prepared with Petunse and Caulin, the other with Petunse and
Wha She or Soapy Rock. The Petunse they describe to be prepared
from a quarry stone of a particular kind, by beating it in
stamping-mills, and washing off and settling the parts which
are beaten fine. This ingredient gives the ware transparency
and mellowness, and is used for glazing it. The stone of this
Petunse is a species of the granite, or, as we in the west call
it, the moor-stone.
“I first discovered it in the parish of Germo, in a hill called
Tregonnin Hill; the whole country in depth is of this stone.
It reaches, east and west, from Breag to Germo, and north and
south, from Tregonnin Hill to the sea. From the cliffs some
of this stone hath been brought to Plymouth, where it was
used in the casemates of the garrison; but I think the best
quarries are in Tregonnin Hill. The stone is compounded of small
pellucid gravel, and a whitish matter, which, indeed, is Caulin
petrified; and as the Caulin of Tregonnin Hill hath abundance of
mica in it, this stone hath them also. If the stone is taken a
fathom or two from the surface, where the rock is quite solid,
it is stained with abundance of greenish spots, which are very
apparent when it is wetted. This is a circumstance noted by
the Jesuits, who observe that the stones which have the most
of this quality are the most proper for the preparation of the
glaze; and I believe this remark is just, as I know that they
are the most easily vitrifiable, and that a vein of this kind in
Tregonnin Hill is so much so that it makes an excellent glaze
without the addition of vitrescent ingredients. If a small
crucible is filled up with this stone, or a piece of it put in
it, and exposed to the most violent fire of a good wind furnace
for an hour, the stone will be melted into a beautiful mass; all
its impurities will be discharged, one part of it will be almost
of a limpid transparency, and the other appear in spots as white
as snow. The former is the gravel, the other the Caulin, reduced
by fire to purity. If the fire is not continued long enough to
effect this, the upper part and middle of the mass will be of a
dirty colour, and the bottom and parts of the sides fine.
“CAULIN.
Public-domain text, read in full here on John Shaqi.
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