The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The potteries of the New Forest in Hampshire, for a lucid account
of which we are indebted to Mr. Wise,[17] were of great extent,
and, as is proved by the researches which have been made on their
sites, of considerable importance. The potteries were noticed in
1853 by the Rev. J. P. Bartlett,[18] who prepared an account of his
researches for the Society of Antiquaries, and since that period
both that gentleman and Mr. Wise have with great success continued
their explorations. The names of the localities where these ancient
potteries exist--_Crockle_ (crock kiln or crock hill) and
_Panshard_--are highly suggestive. During the excavations kilns
were found in a perfect state. The kiln at Crockle was circular, and
measured six yards in circumference, its shape being well defined by
small hand-formed masses of red brick-earth. The floor, about two
feet below the natural surface of the ground, was paved with a layer
of sand-stones, some of them cut into a circular shape so as to fit
the kiln, the upper surfaces being tooled, whilst the under remained
in their original state. At the potteries at Audenwood no kilns were
discovered; but at Sloden, where the works cover several acres, “two
large mounds marking the sites of kilns” are remaining, along with
the sites of potters’ huts, &c. At Island Thorn more kilns and
innumerable fragments of vessels of various kinds were discovered. In
_Pitts Enclosure_, besides mounds opened by Mr. Bartlett, Mr.
Wise discovered in one mound five kilns, ranged in a semicircle, and
paved with irregular masses of sand-stone. They were close together,
separated only by mounds of the natural soil. Besides fragments of
various vessels, “two distinct heaps of white and fawn-coloured clay
and red earth, placed ready for mixing, and a third of the two worked
together, fit for the immediate use of the potter,” were found with
these kilns.
Some of the more usual and more striking forms of the vessels from New
Forest potteries are grouped together on Figs. 141 to 151. A selection
of patterns from the wares are grouped on Figs. 152 to 157, some of
which will be seen to bear a close resemblance to those of the Castor
ware.
[Illustration: Figs. 166 and 167.--Potter’s Mould, Headington.]
Of the potters’ kiln, &c., found near Colchester, where probably some
ware in imitation of the fine red Samian was produced, a notice will
be found in “Collectanea Antiqua.”[19] In the Yorkshire potteries--for
there can be little doubt that at Potters Newton, at York, and at other
places pot-works existed in these early times--the curious vessels
ornamented with what are usually called “frill patterns” were made, as
also other slip and scaled patterns, as on Figs. 158, 159, and 160.
[Illustration: Figs. 168 to 170.--Mortaria, from Headington.]
[Illustration: Fig. 171.--From Headington.]
[Illustration: Figs. 172 to 175.--From Headington.]
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