The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class — John Shaqi
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Amphoræ were undoubtedly made in the Roman pot-works of Britain;
evidences of their manufacture having been observed in various
localities. The most extensive of these indications was at Colchester,
from which place the example (Fig. 194) is taken. These vessels are
of large dimensions, strongly formed, and usually of a buff, or
reddish-yellow colour. The forms of these vessels are of two distinct
kinds--the one being tall and slender, as in Fig. 194, and the other
more globular, as in Figs. 196 and 197. They were mostly pointed at the
bottom, for the purpose of fixing them, it is believed, in the earth,
or in stands made for their reception.
[Illustration: Fig. 206.--The Jewry Wall, Leicester.]
[Illustration: Fig. 207.]
[Illustration: Fig. 208.]
[Illustration: Fig. 209.]
Mortaria, of which three examples have been given (Figs. 168 to 170),
formed another extensive class of domestic vessels. Their use appears
to have been the pounding and beating up, for culinary purposes, of
vegetables and other articles. Some of the examples which have been
found bear unmistakable signs of long and hard use. Their inner surface
was studded, while the clay was soft, either with small fragments of
quartz or with scoriæ of iron, so as to promote trituration. The
example (Fig. 198) is of somewhat different character, having more
upright, and somewhat higher, sides than usual. It has been much used.
Another of the more usual of the domestic vessels, of Romano-British
manufacture, is the very convenient kind of basin (Fig. 199), which
will be seen to be of the same general shape as Fig. 171. The form of
this basin is infinitely better, more elegant, and more convenient than
those in use among us at the present day. The central flanged rim is a
very secure and handy arrangement for holding. This example, and the
mortarium (Fig. 198) were found together--in fact, inverted one into
the other--in the churchyard at Chesterfield, in Derbyshire. Many other
varieties of domestic vessels were also extensively made, but to these
it is not necessary farther to refer.
[Illustration: Fig. 210.--Walesby.]
[Illustration: Fig. 211.--Walesby.]
[Illustration: Fig. 212.--Headington.]
[Illustration: Fig. 213.--London.]
[Illustration: Figs. 214 and 215.--Headington.]
The sepulchral urns of Romano-British manufacture are of extremely
varied form and ornamentation. Figs. 78, 135, 137, 140, 161 to 165, and
183, will serve as examples of some of the varieties. The most usual
forms, however, are perhaps Figs. 200 to 205. They are of various kinds
of clays, and were generally plain, or but slightly ornamented.
Other good examples of sepulchral urns of various kinds, and of
different shapes, will be seen on the three groups of pottery, &c.,
found at Cirencester, shown on Figs. 203, 204, and 205.[25] On the same
engravings will be seen many other characteristic examples of Roman
Ceramic Art, as well as some metallic remains.
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