The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class — John Shaqi
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
“The pottery is usually made of a rather dark clay, coloured
outside brown or dark slate-colour, which has sometimes a tint
of green, and is sometimes black. These urns appear often to
have been made with the hand, without the employment of the
lathe; the texture of the clay is rather coarse, and they
are rarely well baked. The favourite ornaments are bands of
parallel lines encircling the vessel, or vertical and zigzags,
sometimes arranged in small bands, and sometimes on a larger
scale, covering half the elevation of the urn; and in this
latter case the spaces are filled up with small circles and
crosses, and other marks, stamped or painted in white. Other
ornaments are met with, some of which are evidently unskilful
attempts at imitating the well-known egg-and-tongue and other
ornaments of the Roman Samian ware, which, from the specimens,
and even fragments, found in their graves, appear to have been
much admired and valued by the Anglo-Saxons. But a still more
characteristic peculiarity of the pottery of the Anglo-Saxon
burial urns consists in raised knobs or bosses, arranged
symmetrically round them, and sometimes forming a sort of ribs,
while in the ruder examples they become mere round lumps, or
even present only a slight swelling of the surface of the
vessel. That these vessels belong to the early Anglo-Saxon
period is proved beyond any doubt by the various objects, such
as arms, personal ornaments, &c., which are found with them,
and they present evident imitations both of Roman forms and
of Roman ornamentation. But one of these urns has been found
accompanied with remarkable circumstances, which not only show
its relative date, but illustrate a fact in the ethnological
history of this early period. Among the Faussett collection
of Anglo-Saxon antiquities is an urn which Bryan Faussett
appears to have obtained from North Elmham, in Norfolk, and
which contained the bones of a child. It is represented in the
accompanying engraving (Fig. 245), and will be seen at once
to be perfectly identical in character with the East-Anglian
sepulchral urns. But Mr. Roach Smith, in examining the various
objects in the Faussett collection, preparatory to his edition
of Bryan Faussett’s “Inventorum Sepulchrale,” discovered on
one side of this urn a Roman sepulchral inscription, which is
easily read as follows:--
D. M. To the gods of the shades.
LAELIAE To Lælia
RVFINAE Rufina.
VIXIT·A·XIII She lived thirteen years,
M·III·D·VI. three months, and six days.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account