The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The goods now made at these works, by Mr. Bailey, are glazed and
unglazed stoneware, porous ware, terra-cotta, and china. In stoneware,
or “Bristol ware,” all the usual domestic vessels--in bottles,
pitchers, jars, pans, drinking-mugs, tobacco-pots, feet, carriage, and
chest warmers, funnels, bird fountains, barrels, filters, &c.--are made
very extensively, as also are drain and sanitary pipes, traps, &c., of
every description. The stoneware is of the hardest, finest, and most
durable character, and the glaze is remarkably good. To this excellent
quality is to be attributed the success of these works, Mr. Bailey
supplying, I believe, the large house of Crosse & Blackwell, as well
as many distillers, chemists, and shippers, with their stoneware, both
for home and export trade, and constantly increasing his business and
premises. Works of art of a high order, in his stoneware, terra cotta,
china, and other productions, are now executed. For the stoneware
department, M. Cazin, late Director of the School of Art at Tours, in
France, has been engaged chiefly to design figured and other fancy
jugs, mugs, cannettes, &c. Some of these, with armorial bearings and
other decorations in incised lines, or impressed, are remarkably good
adaptations of the antique. A cannette, in my own possession, bearing
the artist’s name, “CAZIN, 1872, STUDY,” is remarkably good,
and gives evidence of great things to follow. Another example, also
in my own possession, and made expressly for me, is of excellent form
and remarkably pure and simple design. It bears an admirably modelled
armorial medallion, with arms, crests, helmet, mantling, &c., and is
likewise decorated with incised and relief ornaments. On the bottom is
the date, incised, “1873,” and on the handle the artist’s name, C.
CAZIN, also incised. In 1872 Mr. Bailey received a medal at the
Dublin Exhibition for his stoneware and terra cotta.
Mr. Bailey has introduced a marked improvement in the construction of
filters--the water passing downwards at the back, and then rising in
zig-zag direction by its own force to the tap at the top in front--thus
the water has to travel a much further distance through the filtering
matter (as shown by the arrows in the section) than the old method, and
having to be taken a far more circuitous course, it is brought more
thoroughly in contact with the purifying medium. The usual method is
for the water to pass perpendicularly down or up, but in these filters
the water is kept a considerable time in contact with the charcoal and
other ingredients, and any sediment is left at the bottom, instead of
forming a compact mass of filth for the water to pass through each time
it is filled.
[Illustration: Fig. 339.]
Terra-cotta stoves, of simple and effective construction, are also
extensively made at these works. In “Sunderland Ware”--_i.e._
brown ware, white inside--cream pots, starch pans, milk bowls, dishes,
trays, and basins are largely manufactured.
Public-domain text, read in full here on John Shaqi.
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