of his teeth is by no means agreeable to his offspring, as is evident by the expression of pain on his countenance. The next figure is Jupiter, the third is Neptune, the fourth Mars, and the fifth either Adonis or Meleager, the emblem of the boar’s head applying to either--the former being killed by a boar; the latter having killed the boar; and as the head is cut off, and lying at his feet, it is most probably Meleager, as he cut off the head of the beast and presented it to Atalanta. The grey ware consists of a bust of Charles II.; a bust of his queen, Catherine of Braganza; another of James II., and a companion one of his queen, Mary d’Este--all four of meritorious execution and excellent likenesses; a statuette of Flora; a likeness of one of the Dwight family, thirteen inches high; another of Adonis, same height; and a likeness of a lady; a portrait of one of the Dwights; a smaller pair of statuettes of a gentleman and lady of the court of Charles II., probably intended as likenesses; a curious figure, or rather bust, of one sleeping, or rather lying on a pillow, for it was a death likeness, and is inscribed ‘Lydia Dwight, dyd March the 3rd, 1762;’ a drinking cup, called Hogarth’s cup--it is lettered ‘Midnight Conversation,’ and and has on it a representation of Hogarth’s picture in raised figures, and also four arms of the City companies. There are also four brown liqueur bottles, with white figures in relief, _temp._ Charles II., with his initial letter; and one or two specimens, such as a butter-boat and a couple of pickle saucers of fine grey ware; but these appear of a somewhat different kind of manufacture, and may have been brought from Delft.”[49] Other productions were flip-cans, gorges, grey beards, ale pots, bottles, mugs, single figures and groups, busts, statuettes, flasks, leaf-dishes, &c. In the Jermyn Street Museum are some examples of this ware, and others may be found in various private collections. Among the latter may be named an historically interesting flip-can, belonging to “Robinson Crusoe,” and carefully preserved by his family. It bears the incised inscription-- “Alexander Selkirke. This is my one When you take me on bord of ship Pray fill me full with punch or flipp Fulham,” and is said to have been made for him in or about 1703.