The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class — John Shaqi
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
“I cannot go back to say when first begun as a Small White and
Common Brown Ware Works, but about 1803 or 1804 it was taken
by the Sewells, and gradually extended by them for Home trade
until 1814 or 1815, when a considerable addition was made to
manufacture entirely for exportation, chiefly _C.C._ or Cream
Coloured, Painted, and Blue Printed, and when I came to the
Works in 1819, the description of ware then produced say about
five Gloss Ovens and two or three Enamel Kilns per week, say
C.C. and best Cream Colour to _imitate Wedgwood’s_ Table Ware
then made in considerable quantities for Holland and other
Continental markets, all kinds of Biscuit Painted, Printed very
dark engraved patterns, also Stamping with _Glue_, and Printing
on the Glaze from Wood Engravings, also with _Glue_, I believe
the first that was done in this way, Gold and Silver lustre,
&c. So it has been continued up to the present period by the
Sewell family; but latterly not doing so much business, owing
to a change of partnership, and is at present in the market for
sale since the death of Mr. Henry Sewell, the natural son of the
late Joseph Sewell, who was the Potter for nearly sixty years,
and was a noble specimen of a good master and the old English
gentleman.”
The fact of printing on pottery from _wood_ engravings, being practised
at these works, is highly interesting, as I have been enabled to
ascertain that engravings by Bewick were thus brought into use;
specimens are, however, very rare. In the Museum of Practical Geology
are examples of St. Anthony’s ware; they bear the marks--
SEWELL
SEWELL & DONKIN
SEWELLS & DONKIN
SEWELLS & CO.
GATESHEAD.
The _Carr’s Hill Pottery_ was the first manufactory for white ware in
the North of England. Painted, enamelled, and brown ware was also made.
It was established about 1750, by a Mr. Warburton, who removed to this
place from Newcastle (see Warburton Pottery), and was successfully
carried on by him and his successors until 1817, when it was closed. A
part of the premises was afterwards carried on by Messrs. Kendall and
Walker, and later still by Messrs. Isaac Fell and Co.
SHERRIFF HILL.
_Sherriff Hill Pottery._--These works are carried on by Mr. George
Patterson, as the successor of the firm of Jackson and Patterson. His
chief productions are white ware, which are supplied largely to the
Norwegian Markets.
Messrs. Lewins and Parsons are also stated to have had a pottery here
for the manufacture of the common kinds of earthenware.
* * * * *
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