The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
a cadle cupe, with the fortin teller 0 14 0
12. a coffe can, with a head of the Prince of Wales 0 7 6
13. a coffe can, with a Girl & bird 0 5 0
14. a cadle cup, with a woman siting at work 0 7 0
15. a cadle cup, with doatage & beauty 0 12 0
16. D^o, with age and youth 0 12 0
17. 2 coffe cans, with cupets 0 10 0
18. 2 cadle cups, first & secont leson of love 1 8 0
19. 2 coffe cans, with venus and cupet &
sacrafise to love 1 10 0
20. a Plate, with hand 0 2 0
21. a cup & saucer, with Landsceps 0 6 0
22. 2 coffe cans, hebe & the child & rabbet 0 18 0
23. 2 coffe cans, with heads of the Prince of
Wales & Dss of York 0 15 0
24. a coffe can, with the maid of corneth 0 15 0
25. a coffe can, with love slepes 0 15 0
26. a coffe can, with sappho to Phaon 0 15 0
27. a coffe can, with offering to cupet 0 15 0
28. for Drawings 0 12 0
Deliverd. November the 26, 94. ------------
RICHARD ASKEW. £15 11 6
------------
WILLIAM BILLINGSLEY, whose name is more intimately mixed up
with the history of porcelain than most of his contemporaries,
was a china painter of unusual excellence, and a practical
maker as well. Like many another man of genius, he was,
however, unstable and erratic in his movements; but to this
very quality we are indebted for the establishment of more than
one eminent manufactory. To him and his practical skill is due
the establishment of china-works at Pinxton, at Mansfield, at
Nantgarw, and at Swansea, and to some extent the improvement
of the ware at Coalport and at Worcester, as well as much of
the high class of decoration at the old Derby Works; and he has
thus “left his mark” on the history of Ceramic Art. Billingsley
was a man of great genius, of extraordinary talent, of extreme
ability as an artist, and of skill as a practical potter; but
wanting stability, he became but a living illustration of the
adage which says “a rolling stone gathers no moss.” He settled
only for a very short time anywhere before he again moved; but
wherever he did remain, if only for a short time, he left the
impress of his name and the most indisputable evidence of his
skill behind him. William Billingsley was the eldest son of
William and Mary Billingsley, of the parish of St. Alkmund,
Derby. He was baptized in that church on the 12th of October,
1758. The following is the entry of his birth:--“1758, Oct.
Public-domain text, read in full here on John Shaqi.
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