The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
12, Baptized, William, the son of--Billingsley and--his wife.”
Other entries in the register show that the names of his parents
were “William” and “Mary.” His father died in March, 1770, when
he was only twelve years of age.[23] Four years afterwards,
on the 26th of September, 1774, when sixteen years of age, he
was bound apprentice to William Duesbury. In the indenture he
is described as “William Billingsley, son of Mary Billingsley,
of Derby, in the county of Derby,” and he is bound apprentice
for five years to “William Duesbury, of Derby aforesaid,
China or Porcelain Maker,” to “learn the Art of Painting upon
China or Porcelain Ware.” He was to receive as wages five
shillings per week for the whole time of his servitude; not an
advancing scale year by year as was usual. The indenture is
signed by “William Billingsley,” “Mary Billingsley,” and “Wm.
Duesbury,” in the presence of “Wm. Clarke.” To Mr. Duesbury
he served the full time of his apprenticeship, during which
time he received considerable instruction as a painter, from
Zachariah Boreman,[24] one of the best artists of the old
Chelsea Works, who had removed with those works to Derby. On
the 4th of November, 1780, William Billingsley, then just over
twenty-two years of age, married, at St. Alkmund’s Church,
Derby, Sarah Rigley, of that parish, by whom he had several
children, three of whom were baptised at St. Alkmund’s Church.
On the expiration of his apprenticeship, William Billingsley
continued in the service of Mr. Duesbury, and by his extreme
skill as a flower-painter became the best artist in that line
of decoration. In 1785, Mr. Duesbury died; and the business
was carried on by his son, with whom Billingsley and other
artists remained for some years. Soon after this time some
correspondence having taken place between Mr. Duesbury and Mr.
Coke concerning the properties of a bed of clay at Pinxton,
in Derbyshire, which it was considered would be useful for
the manufacture of china, trials were made, which ultimately
resulted in Billingsley making an arrangement with Mr. Coke for
the establishment of a manufactory at that place (see Pinxton).
Public-domain text, read in full here on John Shaqi.
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