The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Shortly before this time Mr. Joseph Lygo, the London agent and
manager of the business of the Derby China Works, wrote to
his employer, Mr. Duesbury:--“I hope you will be able to make
a bargain with Mr. Billingsley for him to continue with you,
for it will be a great loss to lose such a hand, and not only
that, but his going into another factory will put them in the
way of doing flowers in the same way, which they are at present
entirely ignorant of.” Despite all this, Billingsley left the
Derby China Works, where he had been apprenticed, and in which
he had worked for twenty-two years, and in 1796 commenced, for
or with Mr. Coke, a small manufactory at Pinxton, near Alfreton.
Here his practical skill stood him in good service, and the
experiments he had long tried in china bodies were brought
to bear satisfactory results. He succeeded in producing a
granular body (the fracture having much the appearance of fine
loaf-sugar), very soft, but of extreme beauty. Here Billingsley
remained for about four years only, removing in 1800 to
MANSFIELD, where he started a small concern, which he continued
for about three or four years longer. Having once become
unsettled by his removal from Derby, Billingsley does not appear
ever afterwards to have rested long in any one place. In 1804 he
is stated to have commenced, or joined, some small china works
at TORKSEY in Lincolnshire; and a few years later he appears to
have started a china manufactory at WIRKSWORTH in Derbyshire--no
doubt being in part actuated in locating himself there through
the fact of the existence of a beautiful white clay being found
in connection with the lead mines at Brassington and other
places in its neighbourhood. In 1811 Billingsley removed to
Worcester, where he engaged himself with Messrs. Flight and
Barr, of the Worcester China Works. Here, as in some of his
other migrations, he was accompanied by his son-in-law, George
Walker, the husband of his daughter Sarah. Of the engagement of
these two at WORCESTER, Mr. Binns says: “In 1811, Billingsley,
the Derby artist, came to Worcester. As a clever flower-painter,
he was no doubt an acquisition, but that does not appear to have
been the object of his visit. Billingsley knew something of
making porcelain, and was possessed of a receipt which there is
no doubt he valued very highly. From Messrs. Flight and Barr’s
letter to Mr. Dillwyn, it would appear that he had endeavoured
to introduce this special body at Worcester, but we do not think
he was allowed to interfere to any extent in the manufacturing
department. Walker, Billingsley’s companion and son-in-law,
introduced a more important invention to the Worcester Works in
the _reverberating enamel kiln_. These kilns had been in use
in London and at Derby, but were now for the first time built
at Worcester.
Public-domain text, read in full here on John Shaqi.
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