The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Up to this time iron muffles were used, but from
their arrangement requiring a preparatory kiln or muffle, after
the same manner as the annealing oven of a glass-house, they
were most objectionable, the ware having to be removed from one
to the other whilst very hot. Previous to this iron muffle, a
more original muffle still was used. The description given
to us quite accords with the engraving in Biancourt, with the
exception of the arrangement of the fire. In the old Worcester
kilns the space between the bricks and the iron case was filled
with small pieces of charcoal, and when the iron cover was
finally placed, it was also covered with charcoal; the fire was
then applied to the centre of the cover, and gradually extended
all over and down the sides until it got to the bottom; the
object of this arrangement was to get an equal heat all over,
which would not have been the case had the bottom been heated
first. The method of building these new enamel kilns was kept
as a great secret, Walker always working by night. He built
them both for Messrs. Flight and Barr and Messrs. Chamberlain.”
After remaining two years only at Worcester, in 1813 Billingsley
and Walker (the former under a name he had for cogent reasons
assumed--that of _Beeley_, this name being a contraction of
his own B[illings]ley, or B’ley, otherwise _Beeley_) left that
place and went to NANTGARW, a small, out-of-the-way village
in Glamorganshire, near Pontypridd, where they established
themselves and commenced making china. From here they sent up a
specimen of their ware to Government,[29] to show their special
body, and to seek Government aid; and the Board of Trade,
through Sir Joseph Banks, requested Mr. Dillwyn, of the Swansea
pot-works, to visit Nantgarw and report on the quality of the
ware. This visit of Mr. Dillwyn’s resulted in his entering
into an arrangement with Billingsley and Walker to transfer
themselves and their works to SWANSEA, where he built a small
manufactory for them, closely adjoining his other works. Not
long after this Mr. Dillwyn received a notice from Messrs.
Flight and Barr, of Worcester, informing him that Billingsley
and Walker “had clandestinely left their service,” and warning
him not to employ them. This occurred, I believe, in about two
years from the time of founding the Swansea China Works, and on
Mr. Dillwyn being assured by Messrs. Flight and Barr that china
with the granulated body could not be made to be commercially
successful, he gave up the manufacture, and dismissed
Billingsley and Walker, who then at once returned to Nantgarw,
where they resumed their manufacture of china, and produced many
beautiful services and pieces, which now fetch remarkably high
prices. The productions of this small manufactory having found
their way into some of the best London dealers’ hands, Mr. Rose,
Public-domain text, read in full here on John Shaqi.
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